Opinion
Credit where it’s due: Mickey Mouse from Andy Warhol’s “Myths” series, 1981. The artist sought the permission of the Walt Disney company to use the image and entered into a joint copyright agreement (Photo ©2012 The Andy Warhol Foundation for the Visual Arts, Inc/Artists Rights Society (ARS), New York. Courtesy Ronald Feldman Fine Arts, New York)

No longer appropriate?

Artists who “appropriate” the work of others are increasingly coming into conflict as a slew of recent cases involving artists including Shepard Fairey, Ryan McGinley and Thierry Guetta (“Mr Brainwash”) demonstrates. Now, in the Court of Appeals for the Second Circuit, which 20 years ago ruled that... >>>

3 comments

From issue 235, May 2012.
Published online 9 May 12 (Opinion)

Break the silence over fakes

Enforced silence encourages fakes. It gives forgers the space in which they can manoeuvre >>>

4 comments

From issue 234, April 2012.
Published online 12 Apr 12 (Opinion)

Marine heritage’s troubled waters

The popular assumption is that anything recovered from the sea is ‘finders keepers’ >>>

1 comments

From issue 233, March 2012.
Published online 14 Mar 12 (Opinion)

It’s time to compromise over Haring’s mural

Let the conservators do their job and turn down the volume. And to the conservators: back off a little >>>

5 comments

From issue 232, February 2012.
Published online 8 Feb 12 (Opinion)

London’s museums can do more for UK tourism

The national museums should be encouraged to market the rest of Britain through their collections >>>

3 comments

From issue 231, January 2012.
Published online 18 Jan 12 (Opinion)

Letter to the editor

It might be time to rethink where growth will come from instead of justifying the status quo >>>

1 comments

Web only.
Published online 20 Dec 11 (Opinion)

Does art need bankers?

As Italy’s new technocratic government struggled to its feet, 100 financiers, entrepreneurs, collectors, curators, dealers and academics gathered in Florence for a private conference on the future of art and finance >>>

5 comments

Web only.
Published online 24 Nov 11 (Opinion)

Has peace broken out after the trial of Marion True?

Some in the US museum world take the view that the Italian authorities should take advantage of the apparent truce >>>

1 comments

From issue 229, November 2011.
Published online 17 Nov 11 (Opinion)

Who will follow baby boomers into the art market?

From 2013 China will have a declining working population… but India’s will grow for 30 years >>>

2 comments

From issue 228, October 2011.
Published online 7 Nov 11 (Opinion)

What makes the Portrait of Wally case so significant?

It was the initiative taken by the US government that made all the difference [in the Portrait of Wally case], signalling that it would expend national resources to seek justice >>>

Web only.
Published online 24 Apr 12 (Opinion)

What you can and cannot copyright

The boundary between the expression of an idea which copyright protects and the underlying idea which cannot be protected is a fluid one >>>

From issue 233, March 2012.
Published online 14 Mar 12 (Opinion)

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Don’t believe the hype: more adults and children are visiting Britain’s museums

But it’s hard to predict how budget cuts will impact on attendance, especially in regional centres >>>

Web only.
Published online 22 Feb 12 (Opinion)

The National Gallery’s blockbuster exhibition could mark a turning point for Leonardo scholars

Let us move the debate about restoration, which is tied up with questions of scientific analysis, on to a less fevered basis >>>

From issue 232, February 2012.
Published online 1 Feb 12 (Opinion)

Don’t kill the goose

We suggest the city looks for other sources of revenue, allowing cultural institutions to continue to do what we do best >>>

From issue 231, January 2012.
Published online 1 Jan 12 (Opinion)

What crisis? Super rich are still buying

The financial turmoil has been an incentive rather than a barrier for the wealthy to buy art >>>

From issue 230, December 2011.
Published online 15 Dec 11 (Opinion)

A century-old monument highlights Abu Dhabi’s ambition

There is a fascinating resonance between the wild, ambitious idealism that once inspired Tatlin’s tower, and the 'remarkable, miraculous, limitless possibility of thinking' that has inspired the development Saadiyat Island >>>

Web only.
Published online 17 Nov 11 (Opinion)

Justice is slow, but Italy has not given up the fight

The ministry is now looking at ‘cryptic provenances’ such as ‘Swiss private collection, 1980s’ >>>

From issue 229, November 2011.
Published online 17 Nov 11 (Opinion)

Cern: where art and science collide

Arts and science are similar in that they are expressions of what it is to be human in this world >>>

Web only.
Published online 4 Oct 11 (Opinion)

New York’s great museums could do better

The most basic element of accessibility [for museums] is to be open for as long as possible, to allow as many people as possible to visit >>>

From issue 227, September 2011.
Published online 26 Sep 11 (Opinion)

Featured articles
The Portrait of Wally documentary is at the Tribeca Film Festival

What makes the Portrait of Wally case so significant?

Legal protection is urgently required

Break the silence over fakes

The boundary between the expression of an idea which copyright protects and the underlying idea which cannot be protected is a fluid one

What you can and cannot copyright

The wreck of HMS Victory, a predecessor of Nelson’s flagship, which the company Odyssey Marine Exploration will investigate after striking a deal with the British government

Marine heritage’s troubled waters

Dozens of local supporters turned out at the Millennium Galleries in February to protest the Arts Council's decision to withdraw funding to Museums Sheffield

Don’t believe the hype: more adults and children are visiting Britain’s museums

Keith Haring painting his 1984 mural on the former Collingwood Technical College. The artist, right, who died in 1990, referred to the work as “permanent”

It’s time to compromise over Haring’s mural

Vauxhall Astra Used Volkswagen

© The Art Newspaper 2012