Contemporary art Italy

Hirst’s skull rears its head in Florence

Palazzo Vecchio exhibits diamond work

Bling: "For the Love of God" was last on display in Amsterdam

FLORENCE. Damien Hirst’s diamond-encrusted skull, For the Love of God, 2007, is to go on display in Italy for five months. As we went to press the work was set to be unveiled at the Palazzo Vecchio in Florence where it will remain on view until 1 May 2011.

All exhibition costs including insurance, security, transportation and installation fees are being met by Arthemisia Group, a commercial company that organises shows in Italy. Neither Hirst nor his London gallery White Cube will receive a fee according to Arthemisia.

A ticket to see the skull, which also includes entry to the study of Francesco I de’ Medici and the palace museum, costs €10. A spokesman for Arthemisia said the group was hoping for around 230,000 visitors. The skull’s display has been organised by international curator Francesco Bonami. It is the first contemporary art show funded by Arthemisia. “They have focused mainly on old master exhibitions,” says Bonami, who added that they were “excited” to be launching a programme of contemporary art shows with Hirst’s skull. “I am sure there will be huge interest,” in the work, said Bonami. “Curiosity levels [in Italy] are extremely high.”

For the Love of God, which is covered in 8,601 diamonds, was first shown at White Cube in June 2007 with a £50m price tag. Two months later, Hirst’s then business manager Frank Dunphy told us the skull would be sold to “a group composed of a number of interested individuals”, who turned out to be Hirst himself, Frank Dunphy, and Jay Jopling of White Cube. The Ukrainian collector Victor Pinchuk later told reporters that he had also invested in the skull.

Following its unveiling in London the work has been seen only once—at the Rijksmuseum in Amsterdam in late 2008. A proposed tour with stops at the Hermitage in St Petersburg, the British Museum in London, and venues in the Far East was cancelled because costs were too high. In 2009 Hirst told Time Out magazine that he had decided “to try and get a space in London [to] put [the skull] on permanent display” because “it just needs to be seen”. This space might have been a former munitions store in Kensington Gardens, which Hirst proposed turning into a gallery. However, the Serpentine gallery will now run the building.

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Comments

30 Nov 10
20:8 CET

ALEX STEVENS, DALLAS

Personally, I would rather watch paint dry than to pay to see this thing...but, there are many who will I'm sure. Too bad. Hey, maybe I should start buying my own work too!

29 Nov 10
23:0 CET

PAOLA BORTOLOTTI, FLORENCE, ITALY

Dear Mr. Hirst, during the press conference in Florence, my colleague journalists and I heard you are honoured that your For the love of God work was located in Palazzo Vecchio. Since in Florence there is not any serious research, nor an efficient project and space for promoting contemporary art, could you personally obtained - being such an expert of culture marketing and talented, charismatic artist - more attention, respect and money for Florence in its present time? Best regards. Paola ortolotti

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