Letter to the editor
Speaking on behalf of impecunious collectors in the US, resist droit de suite as hard as you can
By Sonia Coode-Adams MBE. Comment, Issue 215, July-August 2010
Published online: 02 August 2010
I hesitate to disagree with the distinguished Edward Winkleman (link at left), but he is looking at droit de suite from a dealer’s point of view rather than a collector’s. I understand his views about flipping and more openness being desirable. But there is another point of view. Firstly, not all collectors are incredibly rich. Secondly, droit de suite only goes to works of art over a certain value, so it is only paid to successful artists. I can see it is hard when they see a work they sold for very little going for a great deal of money, but what I would say is—tough!
I bet Robert Scull had bought his Rauschenberg for $900 a long time before the sale in 1973 and the notorious “shove”. If I had been Rauschenberg, I would have been thrilled that the work sold for $85,000, knowing that with that public benchmark the rest of my work was immensely more valuable.
So I would say, speaking on behalf of impecunious collectors in the US, who buy because they love the work, and then for whatever reason have the need to sell, resist droit de suite as hard as you can. The money taken from the collector’s pocket is going into the pocket only of already successful artists and their heirs. Auctioneers and dealers do not care—it is not their pocket.
—Sonia Coode-Adams MBE
Send your letters to the Editor to: 70 South Lambeth Road London SW8 1RL UK or email: j.morris [at] theartnewspaper.com
Submit a comment
All comments are moderated. If you would like your comment to be approved, please use your real name, not a pseudonym. We ask for your email address in case we wish to contact you - it will not be
made public and we do not use it for any other purpose.
Want to write a longer comment to this article? Email firstname.lastname@example.org