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Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
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Technology
Adventures with Van Gogh
Adventures with Van Gogh
blog

Which is the only museum in the world actively buying up Van Goghs? It’s in the hometown of Hieronymus Bosch

The Noordbrabants Museum’s latest acquisition is Head of a Woman, bought privately for €1.6m through Christie’s

A blog by Martin Bailey
11 September 2020
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Adventures with Van Gogh

Adventures with Van Gogh is a weekly blog by Martin Bailey, The Art Newspaper's long-standing correspondent and expert on the Dutch painter. Published on Fridays, stories range from newsy items about this most intriguing artist, to scholarly pieces based on meticulous investigations and discoveries. 

Explore all of Martin’s adventures with Van Gogh here.

© Martin Bailey

Head of a Woman, painted in early 1885 in the village of Vincent’s parents, has just been acquired by the only museum which is now bold enough to build up a Van Gogh collection almost from scratch. Het Noordbrabants Museum, in the southern Dutch city of ’s-Hertogenbosch (usually known as Den Bosch), has bought four Van Goghs in as many years. Considering the prices of his work, this represents a great achievement for a regional museum.

Vincent van Gogh’s Head of a Woman (February-March 1885), unveiled at the Noordbrabants Museum, ’s-Hertogenbosch, September 2020 © Het Noordbrabants Museum, 's-Hertogenbosch, acquired with support from the BankGiro Lottery, Het Noordbrabants Museum Fund, Coen Teulings, John & Patricia Groenewoud, and the JK Art Foundation. Photo: Peter Cox

Although Van Gogh only rarely visited Den Bosch, it is the capital of North Brabant, where the artist’s father served as a vicar in a series of four villages. Vincent was born in Brabant, lived there for half his life and produced a large body of his work there.

While staying in Nuenen during the winter of 1884-85 Van Gogh produced nearly 50 painted studies of peasant heads. These would provide the basis for his first masterpiece, The Potato Eaters (April-May 1885, Van Gogh Museum, Amsterdam).

Although most of the peasant heads are depicted in a dark setting, the Noordbrabants museum’s acquisition is one of the few with a light, greenish-yellowish background. Van Gogh painted his sitters as “types”, rather than as portraits of individuals, and the woman’s identity is unknown— although she does appear in three other paintings.

A recent examination of the canvas of Head of a Woman by Amsterdam’s Van Gogh Museum has revealed that it comes from the same roll as at least three other Nuenen paintings. This helps confirm its authenticity.

The Van Gogh was acquired privately by the Noordbrabants museum through Christie’s (not at auction), for €1.6m. The museum’s main source of funds was the Dutch BankGiro Lottery.

Head of a Woman was painted in February-March 1885. In November Vincent left Nuenen, following deteriorating relations with his family, leaving behind his works of art. After Vincent’s mother moved from Nuenen a year later hundreds of paintings and drawings were subsequently stored in the attic of Janus Schrauwen, a carpenter who lived in Breda. These pictures were never recovered by the Van Gogh family and were virtually given away in 1902.

The first collector to buy Head of a Woman was, unusually for the time, a woman—the Rotterdam-based art lover Georgette van Stolk. On the back of the painting the Noordbrabants museum has found a faded label, recording that in 1906, the year of her acquisition, the picture was authenticated by the noted art historian and Van Gogh enthusiast H.P. Bremmer. Among other works in Van Stolk's collection was Starry Night (1889), now at New York’s Museum of Modern Art. She seems to have hung the Van Goghs in her conservatory, although fortunately they do not appear to have suffered unduly as a result.

Van Stolk kept Head of a Woman for 40 years and it later passed to a Dutch and then a Japanese collector. It was auctioned at Christie’s in 2000 and again in 2007. The painting has only been lent to an exhibition once since the 1920s, to a Van Gogh portraits show in Boston and Philadelphia (2000-2001).

Head of a Woman was unveiled by the Noordbrabants museum this week, before undergoing minor conservation. It will then be presented when a larger redisplay of Van Gogh’s Brabant work is opened next March.

Vincent van Gogh’s The Garden of the Vicarage at Nuenen (1885) © Het Noordbrabants Museum, ’s-Hertogenbosch, photo: Peter Cox

Three other Van Gogh acquisitions bought in the past three years will also be included in the new display. The museum bought the watercolour of The Garden of the Vicarage at Nuenen (1885) in late 2016 for just over €1m. The following year it purchased the oil painting Watermill at Coll (1884) for €2.6m. Last year it acquired another painting, Still Life with Bottles and Shell (1884), for €2.5m. These have been added to Peasant Woman Digging (1885), acquired back in 1984. The museum also currently has eight Van Goghs on loan from other Dutch collections.

Vincent van Gogh’s Watermill at Coll (1884) © Het Noordbrabants Museum, ’s-Hertogenbosch, photo: Peter Cox

These prices in no way rival those reached by Van Gogh’s more popular late French works, so this has made it possible to build up a Brabant collection - bringing the artist’s work home again. Nevertheless, even prices of the early Dutch works are steadily rising. As for Head of a Woman, it has gone at Christie’s for $534,000 (2000), $1,160,000 (2007) and now the equivalent of $1,900,000.

Vincent van Gogh’s Still Life with Bottles and Shell (1884) © Het Noordbrabants Museum, ’s-Hertogenbosch, Marjo van de Peppel-Kool

In other Van Gogh news

In Helsinki the Didrichsen Art Museum has successfully opened its Van Gogh exhibition, despite the challenges of coronavirus. Becoming Van Gogh will run from 5 September to 31 January. All the loans (except for one, from Finland’s Ateneumin Taidemuseo) are from the Kröller-Müller Museum in Otterlo, which holds the world’s second greatest collection of Van Goghs (after that of Amsterdam’s Van Gogh Museum).

Becoming Van Gogh exhibition, Didrichsen Art Museum, Helsinki © Maria Didrichsen, Didrichsen Art Museum

Martin Bailey is a leading Van Gogh specialist and special correspondent for The Art Newspaper. He has curated exhibitions at the Barbican Art Gallery, Compton Verney/National Gallery of Scotland and Tate Britain.

Martin Bailey’s recent Van Gogh books

Martin has written a number of bestselling books on Van Gogh’s years in France: The Sunflowers Are Mine: The Story of Van Gogh's Masterpiece (Frances Lincoln 2013, UK and US), Studio of the South: Van Gogh in Provence (Frances Lincoln 2016, UK and US), Starry Night: Van Gogh at the Asylum (White Lion Publishing 2018, UK and US) and Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln 2021, UK and US). The Sunflowers are Mine (2024, UK and US) and Van Gogh’s Finale (2024, UK and US) are also now available in a more compact paperback format.

His other recent books include Living with Vincent van Gogh: The Homes & Landscapes that shaped the Artist (White Lion Publishing 2019, UK and US), which provides an overview of the artist’s life. The Illustrated Provence Letters of Van Gogh has been reissued (Batsford 2021, UK and US). My Friend Van Gogh/Emile Bernard provides the first English translation of Bernard’s writings on Van Gogh (David Zwirner Books 2023, UKand US).

To contact Martin Bailey, please email vangogh@theartnewspaper.com

Please note that he does not undertake authentications.

Explore all of Martin’s adventures with Van Gogh here

Adventures with Van GoghVincent van GoghVincent van Gogh
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Adventures with Van Goghblog
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Which is the only museum in the world actively buying up Van Goghs? It’s in the hometown of Hieronymus Bosch

The Noordbrabants Museum’s latest acquisition is Head of a Woman, bought privately for €1.6m through Christie’s

A blog by Martin Bailey