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Wednesday 30 Jul 2014
In New York, Sperone Westwater comes in at 91 versus nine. Team Gallery at 85 versus 15; Matthew Marks at 84 versus 16, and Mary Boone at 83 versus 17. Some of the top galleries in Los Angeles tell a similar story: Blum & Poe is 89 versus 11; Prism is 88 versus 12; Thomas Solomon is 85 to 15, and Patrick Painter is 83 to 17. MORE
Mon, 07 Jul 2014 07:42:00 GMT
Finances tell part of the story; staff size tells another. But you could also chart the recent vicissitudes of the Museum of Contemporary Art (MoCA), Los Angeles, through the four artists who famously served as board members: John Baldessari, Catherine Opie, Barbara Kruger and Ed Ruscha. MORE
Fri, 30 May 2014 17:10:00 GMT
When I visited Los Angeles on spring break in 1992 during my final year of university in New York, lured by the promise of sunshine and tennis courts more than by any cultural event, I happened to catch “Helter Skelter: Los Angeles Art in the 1990s”, a generation-defining group show at the Museum of Contemporary Art (MoCA). MORE
Wed, 26 Mar 2014 12:07:00 GMT
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Dating back at least to the time of Jackson Pollock in the 1940s, the Whitney Biennial—then an annual exhibition—has had notable powers as a market maker. When it releases its list of artists for each edition, the burden of cultural curiosity shifts for many of us. MORE
Wed, 05 Mar 2014 07:03:00 GMT
It’s not surprising that the history of resale royalty legislation in the US began with an auction and an altercation. The fight took place in 1973 outside the Sotheby Parke-Bernet auction house. Taxi mogul Robert Scull had just sold off many works of art at historic prices. MORE
Thu, 06 Feb 2014 08:34:00 GMT
Packed with celebrities from Leonardo DiCaprio to Salma Hayek, the annual Art + Film gala of the Los Angeles County Museum of Art (Lacma) in November raised $4.1m for the institution. But don’t let the parade of Gucci gowns or glitzy red-carpet moments fool you. MORE
Thu, 21 Nov 2013 22:31:00 GMT
We hit the tarmac running in Dallas, where the temperature feels hot like Hell’s breath. Fresh from the flight, we jump in our third car of the week (Japanese again, so all is well), blast the air-conditioning, hurrah at the blue skies and head out on one of the city’s endless freeways. MORE
Sat, 31 Aug 2013 03:40:00 GMT
All you can see are oil fields as you descend into Midland-Odessa. I’ve never seen anything like it. They stretch for hundreds of miles, dividing the rust-coloured earth all the way to the horizon.
We’re on our way to Marfa. MORE
Thu, 29 Aug 2013 03:35:00 GMT
I had visions of rolling ranches, big blue skies and the occasional oil drill. These notions are swiftly punctured upon arrival to Houston. It's a grey city and an endless urban sprawl. As we drive out of the airport, the dark clouds overhead promise thunder and rain while, on the ground, our first impression is formed by the oppressive freeways that squat over the landscape. MORE
Wed, 28 Aug 2013 01:04:00 GMT
Lee Kit is precisely the kind of artist that people either love or hate. Those from the sneering "my-kid-could-do-that" school of spectatorship will want to stay well clear of the young Hong Kong artist's solo show, but everyone else should make it a point to visit. MORE
Tue, 18 Jun 2013 15:15:00 GMT
Many Chinese artists exhibiting in Venice over the years have attempted to retrace the rich historical and cultural connections between Italy and China. Indeed, some might still recall Cai Guo-Qiang’s dramatic gesture of Bringing to Venice What Marco Polo Forgot in the form of an exotic junk boat loaded with traditional Chinese medicine, spectacularly marooned somewhere along the Grand Canal, in 1995. MORE
Tue, 18 Jun 2013 14:52:00 GMT
Draped across the exterior of Teatro Fondamenta Nuove, with views down the channel towards San Marco airport, Emily Jacir's hand-painted banner Untitled (SOLIDARIDAD), 2013, welcomes visitors not only to the Emergency Pavilion but also to Venice itself. MORE
Tue, 04 Jun 2013 16:43:00 GMT
"Voice of the Unseen" is a sprawling survey of Chinese independent art from 1979 to the present, presented in the Tese delle Nappe, Arsenale Nord. It is an unapologetically spectacular and, indeed, encyclopaedic exhibition curated by the admirable Wang Lin. MORE
Tue, 04 Jun 2013 16:07:00 GMT
I had a fabulous day in the rainy weather as this poor gentleman dragged himself home.
We continued to party and socialise with Matthew Williams and Alex Gartenfeld.
Ellen Altfest and young collector Jamie Diner. MORE
Tue, 04 Jun 2013 12:44:00 GMT
Several pavilions have chosen to include artists of different nationalities in their exhibitions this year, but none have done so as crudely as the Italian commissioners and curators of the first ever Kenyan pavilion. MORE
Tue, 04 Jun 2013 11:41:00 GMT
The theme of this year's Chinese pavilion is "Transfiguration”—an elegant English approximation of the Chinese term "bianwei" that literally means “a change of position”. There is no doubt an unfortunate irony in this, given that China's most powerful living artist and activist has not one but three exhibitions currently on display in Venice (none in the Chinese pavilion of course) but has not been allowed to leave the country since his arrest, in 2011, to oversee their installation. MORE
Tue, 04 Jun 2013 11:27:00 GMT
"Lost in Translation", at Ca' Foscari, is a delicious treat of a show that brings together several generations of Moscow Conceptualists with less well known contemporary artists. A vast grey, trembling woolly mammoth greets visitors in the courtyard,Russian Elephant by Iced Architects, 1997-2013. MORE
Mon, 03 Jun 2013 15:20:00 GMT
Thanks to his installation Venetians, 2013, in Massimiliano Gioni's Encyclopaedic Palace show in the Arsenale, Pawel Althamer has become one of the talking points of this year's Biennale. Another side of the 46-year-old Polish artist's work is on show in a collateral exhibition at the Casa dei Tre Oci, on Giudecca, paired with the work of the Russian artist, Anatoly Osmolovsky. MORE
Mon, 03 Jun 2013 14:38:00 GMT
This year, the Romanian pavilion is empty and white and occupied by a group of young dancers in jeans moving about and arranging themselves into different shapes and positions. From time to time they call out titles of works, artists, dates, or what seem like random phrases. MORE
Mon, 03 Jun 2013 12:42:00 GMT
I went the most perfect party night which ended up on an island in the middle of nowhere to celebrate Jeremy Deller and the British pavilion. All the Brits were there, including John Gerrard with a couple of his pals. MORE
Mon, 03 Jun 2013 11:55:00 GMT
A total lack of forethought or preparation to receive either VIPs (and their crashers...) or the press at the Prada Foundation. More of a 3D futurist maelstrom explosion—a Marinetti sound poem of bad behaviour in the street and massive incompetence inside after the (wet) scrum the internal queue. MORE
Fri, 31 May 2013 17:23:00 GMT
A light-hearted but serious show in the pristinely refurbished Casa dei Tre Oci, on the banks of Giudecca, now rented for the third year consecutively by the Russian V-A-C Foundation. On a smaller scale than the blockbuster show there two years ago, Nicholas Cullinan has brought together just two artists – but he has make a great choice. MORE
Fri, 31 May 2013 17:11:00 GMT
Walking into what should be a flat room, we climb a series of unnecessary steps, only to have to climb down another set as we exit - a reminder perhaps that this abnormal routine has swiftly become one we barely notice in Venice. MORE
Fri, 31 May 2013 16:50:00 GMT
One enters a dark gloomy space, the overhead light covered with sackcloth and ashes. A vast tree trunk (a knotted amalgam of trunks) fills the central space—limbs bound with rags.... I was looking for dead animals (it's Berlinde de Bruyckere after all), but no mice or even a beetle to be seen. MORE
Fri, 31 May 2013 16:34:00 GMT
Curated by Dina Nasser-Khadivi, “Love Me, Love Me Not” is produced by Yarat, a non-profit organisation setup by artist Aida Mahmudova whose work dominates the entry to the space. The sculptural assemblage of reclaimed Azeri decorative window frames with stainless steel contemporary forms gives a strong first impression. MORE
Fri, 31 May 2013 15:59:00 GMT
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