Kendell Geers, <i>Mouthing off</i>, 1993 (edition of three), at Galerie Rodolphe Janssen (D13)

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Like the internet, art fairs are increasingly providing a snapshot of the global contemporary scene (Kendell Geers, Mouthing off, 1993 (edition of three), at Galerie Rodolphe Janssen (D13)) From Frieze New York daily edition.
Published online: 11 May 13
 
From the fair daily edition

A critic’s guide to the satellite fairs: the blue devils of Nada

Christian Viveros-Fauné sees the cool kids from Miami find their niche in New York

From Frieze New York daily edition. Published 11 May 13

Facelift for Frieze in London

Visitors to this year’s edition in October will find a smaller tent with fewer galleries

From Frieze New York daily edition. Published 11 May 13

Kabakovs’ massive commission

Artists to create a giant “city” for their forthcoming Monumenta show at Paris's Grand Palais next May

From Frieze New York daily edition. Published 11 May 13

Rain doesn’t dampen early sales

Sculpture and ceramic pieces prove popular with collectors at Frieze New York

From Frieze New York daily edition. Published 11 May 13

Dallas collectors open arts space

Rachofskys and Faulconers team up to create the Warehouse in Dallas

From Frieze New York daily edition. Published 11 May 13

Sotheby’s banks on its galleries

Bill Ruprecht says auction house’s plan to open another private gallery space in London this autumn will help to boost earnings significantly over time

From Frieze New York daily edition. Published 11 May 13

New Tribeca space

Taymour Grahne, a 24-year-old London-born, US-based collector, plans to open gallery specialising in contemporary art from the Middle East

From Frieze New York daily edition. Published 11 May 13

If you show, should you tell?

The ethics of displaying work by paedophile artist Otto Muehl

From Frieze New York daily edition. Published 11 May 13

Starry night for Tate in New York

Celebrity friends help museum fundraise in style

From Frieze New York daily edition. Published 11 May 13

The present and future of the Jewish Museum

The deputy director, Jens Hoffmann, on Jack Goldstein and beyond

From Frieze New York daily edition. Published 11 May 13

Don’t buy this, buy that

A guide to building a collection that is comprehensive but a little too polite

From Frieze New York daily edition. Published 11 May 13

Performance art goes legit

Experiential works are showing up at fairs more and more, and a small selection of institutions and niche collectors are snapping them up

From Frieze New York daily edition. Published 10 May 13

A critic’s guide to the satellite fairs: it has a pulse

Christian Viveros-Fauné finds professionalism, dependability but few surprises at Pulse fair

From Frieze New York daily edition. Published 10 May 13

A tale of two art worlds

Giant pieces take over New York as artists super-size their work—but bigger is not necessarily better

From Frieze New York daily edition. Published 9 May 13

A critic’s guide to Cutlog: the young and the restless

Christian Viveros-Fauné continues his tour of New York’s fairs with the French transplant

From Frieze New York daily edition. Published 9 May 13

Retail giant moves into art business

Restoration Hardware to commission, exhibit and sell works in new space in Meatpacking District

From Frieze New York daily edition. Published 9 May 13

Frieze Masters for New York?

Dealers say there is a "huge market" for more traditional works

From Frieze New York daily edition. Published 9 May 13

Prince copyright infringement case rolls on

Lawyer for photographer plans to file papers that could lay the groundwork for an appeal to the Supreme Court

From Frieze New York daily edition. Published 9 May 13

Site Santa Fe is back

The New Mexico biennial returns with three back-to-back editions

From Frieze New York daily edition. Published 9 May 13

Ex-White Cube director joins New York dealer

Cristin Tierney has formed a partnership with Denis Gardarin

From Frieze New York daily edition. Published 9 May 13

Record set for Soutine

Chaim Soutine’s Le Petit Pâtissier sold for $18m to a Japanese buyer

From Frieze New York daily edition. Published 9 May 13

When art ruled SoHo

Frieze Projects is paying tribute to the artist-run 1970s restaurant Food

From Frieze New York daily edition. Published 9 May 13

Free drink! If you’re lucky…

For 200 fair visitors every day, artist Liz Glynn has a surprise tucked away behind the stands

From Frieze New York daily edition. Published 9 May 13

Ugo Rondinone: getting stoned at Rockefeller Plaza

“Fundamental” sculptures contrast with the pace and density of Manhattan

From Frieze New York daily edition. Published 9 May 13

Conserving contemporary art: immortality starts here

Goats, guns and roofing sheets: how to look after art’s unusual materials

From Frieze New York daily edition. Published 9 May 13

Do try this at home

Instructions for do-it-yourself art have been collected by the curator Hans Ulrich Obrist

From Frieze New York daily edition. Published 9 May 13

A critic’s guide to the satellite fairs: Collective.1

Christian Viveros-Fauné starts off Frieze week at New York’s “bright new penny” design fair

From Frieze New York daily edition. Published 8 May 13

Diary

On the fair’s front line

A lot of work goes into an event like Frieze: there is the crew toiling all hours to set up the mammoth tent, the art movers, the cleaners, the catering staff, the guards. While they all deserve our thanks, spare a thought for Hanna, who plays an important part in ensuring the safety of all the visitors to the fair. The sharp-nosed canine can be seen inspecting the tent each morning for any whiff of explosives before the fair opens. “It’s a different world,” one dealer remarked as Hanna trundled past on her morning round.