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ART BASEL
Issue 1, Tuesday, 11 June 2013  | Download this issue

Last stop Basel as art marathon ends

The fair is one of the final Modern and contemporary events this summer

News and analysis

Shrigley enshrines Bubbles the chimp

News Elmgreen & Dragset’s public art show fills Munich with masturbation, megaphones and the smell of pork

Fears over Istanbul Biennial

Organisers rethink plans to use Taksim Square and Gezi Park, sites of ongoing anti-government protests

European museums rise above threat of floods

Institutions due to reopen after a week of heavy rainfall caused river waters to rise

Also in this issue

Blum & Poe begins hunt for Manhattan space

 

Confessions of an art dealer

The Berlin dealer Mehdi Chouakri tells us (most of) his art secrets

Five artists win Abraaj Group Art Prize

High-profile award focuses on the Middle East, North Africa and South Asia region

Veteran London dealer to receive award

Leslie Waddington recognised for lifetime achievement

Sprüth takes on Bernd and Hilla Becher

Sprüth Magers now represents the Düsseldorf School photographers

Steve McQueen gets in your face at the Schaulager

The transformed space hosts a major mid-career survey before the release of his next film

Diary

Better to give than to receive

Jonathan Horowitz’s Free Store, 2009-13, outside Unlimited implores Art Baselers to “bring in stuff that you can’t use, take stuff away that you can”. With promising early donations, such as the very first snowboards owned by Art Basel’s...

 
Exhibitions

Dawoud Bey: Picturing People

Categories: Contemporary (1970-present)...
Alone Together Oscar Murillo: Work Dawoud Bey
Video

Chris Marker ventures to Plato's cave

The Whitechapel Gallery in London opens the first UK retrospective of the French film-maker Chris Marker on 16 April. In this clip from his 1989 television series The Owl’s Legacy, Marker compares the dark and quiet movie theatre to Plato’s allegory of the cave, where prisoners have a hard time distinguishing images from reality.

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