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FRIEZE NEW YORK
Issue 1, Thursday, 09 May 2013  | Download this issue

A tale of two art worlds

Giant pieces take over New York as artists super-size their work—but bigger is not necessarily better

News and analysis

A critic’s guide to Cutlog: the young and the restless

Christian Viveros-Fauné continues his tour of New York’s fairs with the French transplant

Retail giant moves into art business

Restoration Hardware to commission, exhibit and sell works in new space in Meatpacking District

Frieze Masters for New York?

Dealers say there is a "huge market" for more traditional works

Also in this issue

Prince copyright infringement case rolls on

Lawyer for photographer plans to file papers that could lay the groundwork for an appeal to the Supreme Court

 

Site Santa Fe is back

The New Mexico biennial returns with three back-to-back editions

Ex-White Cube director joins New York dealer

Cristin Tierney has formed a partnership with Denis Gardarin

Record set for Soutine

Chaim Soutine’s Le Petit Pâtissier sold for $18m to a Japanese buyer

When art ruled SoHo

Frieze Projects is paying tribute to the artist-run 1970s restaurant Food

Free drink! If you’re lucky…

For 200 fair visitors every day, artist Liz Glynn has a surprise tucked away behind the stands

Ugo Rondinone: getting stoned at Rockefeller Plaza

“Fundamental” sculptures contrast with the pace and density of Manhattan

Conserving contemporary art: immortality starts here

Goats, guns and roofing sheets: how to look after art’s unusual materials

Do try this at home

Instructions for do-it-yourself art have been collected by the curator Hans Ulrich Obrist

Diary

A truth too far for the Met

The Metropolitan may be hosting a major show on punk, but the museum appears to have little time for the woman who helped to dress the movement and shape its ideals. On the night of its annual gala, timed this year to coincide with the opening of...

 
Exhibitions

Italian Futurism 1909-44: Reconstructing the Universe

The first comprehensive overview of Italian Futurism in the US opens at the Solomon R. Guggenheim Museum this month. “We’ve been wanting to do this show longer than I’ve worked here, and I’ve worked here for 20 years,” says Vivien Greene, the...
Gauguin: Metamorphoses 2014 Whitney Biennial Lygia Clark: the Abandonment of Art, 1948-88 When the Stars Begin to Fall: Imagination and the American South Oscar Murillo Glenn Brown Carl Andre: Sculpture as Place, 1958-2010
Video

An interview with the curators of the 31st Bienal de São Paulo

Charles Esche and his team (Galit Eilat, Pablo Lafuente, Nuria Enguita Mayo and Oren Sagiv) have given a series of interviews that offer fascinating and occasionally prurient insights into the process of grappling with the biennial beast in general and the Bienal beast in particular—the recruitment process, the unforgiving character of the space and their ambitions to broaden the social base of the artists who participate and the visitors who attend.

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