Reporting live from
FRIEZE NEW YORK
Issue 1, Thursday, 09 May 2013  | Download this issue

A tale of two art worlds

Giant pieces take over New York as artists super-size their work—but bigger is not necessarily better

News and analysis

A critic’s guide to Cutlog: the young and the restless

Christian Viveros-Fauné continues his tour of New York’s fairs with the French transplant

Retail giant moves into art business

Restoration Hardware to commission, exhibit and sell works in new space in Meatpacking District

Frieze Masters for New York?

Dealers say there is a "huge market" for more traditional works

Also in this issue

Prince copyright infringement case rolls on

Lawyer for photographer plans to file papers that could lay the groundwork for an appeal to the Supreme Court

 

Site Santa Fe is back

The New Mexico biennial returns with three back-to-back editions

Ex-White Cube director joins New York dealer

Cristin Tierney has formed a partnership with Denis Gardarin

Record set for Soutine

Chaim Soutine’s Le Petit Pâtissier sold for $18m to a Japanese buyer

When art ruled SoHo

Frieze Projects is paying tribute to the artist-run 1970s restaurant Food

Free drink! If you’re lucky…

For 200 fair visitors every day, artist Liz Glynn has a surprise tucked away behind the stands

Diary

A truth too far for the Met

The Metropolitan may be hosting a major show on punk, but the museum appears to have little time for the woman who helped to dress the movement and shape its ideals. On the night of its annual gala, timed this year to coincide with the opening of...

 
Video

Chris Marker ventures to Plato's cave

The Whitechapel Gallery in London opens the first UK retrospective of the French film-maker Chris Marker on 16 April. In this clip from his 1989 television series The Owl’s Legacy, Marker compares the dark and quiet movie theatre to Plato’s allegory of the cave, where prisoners have a hard time distinguishing images from reality.

Free download

Read this edition on your PC or mobile device

Tweets