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Tuesday 2 Sep 2014
A record number of smaller events is taking place to coincide with the main attraction
The fair avoids a clash with next year's Venice Biennale
Collectors are increasingly seeking to acquire work from dealers before it goes on display at Frieze New York
The auction house announces the outcome of its costly seven-month battle with hedge fund Third Point
The small scale of the Downtown Fair is part of its appeal
How to exude calm self-assurance at the Artists and Designers fair
The Outsider Art Fair, where the art is not made for a market
This year, the art fair has organised a series of projects that engage with the history and local communities of Randall’s Island. We take a look back at key events of the past 50 years
Jumex Collection has bought the steel-and-glass work for around $600,000
Kara Walker’s new work continues her exploration of America’s racial history
According to the curator Jens Hoffmann
As Frieze Projects recreates the artist Allen Ruppersberg’s art hotel, which ran for six weekends in summer 1971, we look back at the art scene in the city 40 years ago
Art spaces open in Chelsea and the Upper East Side
The four finalists for this year’s Turner Prize have been announced
After reading the latest issue of Artforum, longtime contributor Gary Indiana felt compelled to write to its publisher, Knight Landesman, about the review of the Whitney Biennial penned by Helen Molesworth, the chief curator at the Institute of...
Rules, rules, rules
Secret of the sphinx
Charles Esche and his team (Galit Eilat, Pablo Lafuente, Nuria Enguita Mayo and Oren Sagiv) have given a series of interviews that offer fascinating and occasionally prurient insights into the process of grappling with the biennial beast in general and the Bienal beast in particular—the recruitment process, the unforgiving character of the space and their ambitions to broaden the social base of the artists who participate and the visitors who attend.
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