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FRIEZE
Issue 1, Tuesday, 15 October 2013  | Download this issue

Frieze Masters brings older art in from the cold

News The canon of art history is under review by museums and the market

News and analysis

Gay images censored after Vatican’s legal threat

News Artist now plans to show his controversial photographs abroad

Take-off for Farnborough’s art show

News Former aviation testing facility to host exhibitions, events and educational programmes

Giving African artists a platform

News The first fair dedicated to contemporary art from the vast southern continent opens in London

Also in this issue

Public art with an altitude

News Works by Swiss artists to be installed in some “challenging” locations in Alpine ski resort town

 

Mira Schendel estate goes to Hauser & Wirth

News Gallery now represents one of Latin America’s most respected post-war artists

In memory of Michael Stanley

News Friends and colleagues launch charity in honour of director

Sisters are doing it for themselves

News analysis Frieze Masters features a raft of women, including Judy Chicago, who are eschewing assembly-line art

Charity auctions aplenty in London during Frieze week

News Sales benefit Saatchi Gallery, Gasworks, cancer charity and Syrian children's education

Where art and music collide

Interview The experimental composer and choreographer Meredith Monk, who performs tonight as part of the fair, has spent half a century pioneering new forms

Many ways to be Modern

Feature Frieze Masters shows that the Western school is not the only school

My London top five: Venetia Porter

Feature Art world figures share their "don't miss" picks for shows going on during Frieze Week

Talking the talk: artists at Frieze Masters

Feature Who's speaking at the fair this week

Art and the appetite for destruction

Feature Tate Britain examines the history of those who have targeted art, from Henry VIII to the present

Diary

At Frieze, the grass really is greener

The artist Richard Woods has a fresh approach to rolling the lawn on the other side of the Frieze sculpture park. His site-specific work Grass Painted Green, 1998-2013 (Alan Cristea Gallery), is just that—a ten sq. m block of hallowed...

 
Exhibitions

Our pick of shows to see when in Miami this week

Previews of the must-see exhibitions on during Art Basel Miami Beach at the city’s museums and private collection spaces
Video

Kehinde Wiley's new republic

Look closely at Kehinde Wiley’s paintings: they may remind you of something. Since the early 2000s, Wiley has been painting portraits of young black people in the traditions of European portraiture. His sitters are often strangers he meets in cities around the world, with whom he works to select historic paintings as models for new portraits. (He calls the process “street casting.”) At the Brooklyn Museum, “Kehinde Wiley: A New Republic” (20 February-24 May) highlights 60 of these works, including a new stained glass piece and a new sculpture.

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