In The Frame

Getting baked at the Eli and Edythe Broad Art Museum

Flatbread Society, Temporary Bakehouse, 2013. Courtesy the artist.

Those on a diet might avoid carbohydrates, but organisers at the Eli and Edythe Broad Art Museum at Michigan State University cannot get enough of them. The museum has commissioned the Flatbread Society—an international collective of farmers, oven-builders, astronomers, artists, soil scientists, bakers and folklorists—to create site-specific works inspired by humankind’s relationship to grain. The Land Grant: Flatbread Society (5 September-12 October) will feature a sculptural replica of the grain pit on the trading floor of the Chicago Board of Trade, a buzzing hub where grain futures have been bought and sold for 166 years. A set of sculptures that reflect the life cycle of grain—from threshing to seed storage to milling and baking—is due to be installed beneath the pit. The group is also expected to construct a temporary clay oven in the museum’s sculpture garden. The Flatbread Society is the inaugural participant in a new residency programme at the Broad Museum that will showcase work that addresses land use, food and sustainability. Who needs farm-to-table when you have farm-to-gallery wall label?

From In The Frame
Published online: 29 August 2014

This month:


Blenheim’s birthday gift to Ai

The birthday boy

As Ai Weiwei celebrates his birthday in China today, the Blenheim Art Foundation has announced the artist’s largest UK retrospective to date, set to open at Blenheim Palace on 1 October. More than 50 works spanning the last three decades of Ai’s practice will go on show in the grand rooms and grounds of the 18th-century country pile, the ancestral home of Winston Churchill (himself a prolific artist). Confined to China since authorities confiscated his passport in 2011, the artist-activist has devised new site-specific pieces using 3D models of the palace, including the carpet Soft Ground (Great Hall) and porcelain Sunflower Seed Stools. The show marks the launch of Blenheim’s burgeoning programme of contemporary art, the brainchild of Lord Edward Spencer-Churchill, the collector son of the 11th Duke of Marlborough, who currently owns the sprawling Oxfordshire estate. Details of future exhibitions are under wraps.

From In The Frame
Published online: 28 August 2014

Marching orders

The National Guard's 1st Battalion, 69th Infantry, marching in New York's St Patrick's Day Parade

Stand down, soldier: the 2015 Armory Antique Show, which was scheduled for 23-25 January, has been cancelled due to military activity. The event was originally slated to take place at the 69th Regiment Armory, but fair organisers learned that the owners of the space, the United States National Guard, had decided to use it that weekend for military drills. After canvassing the city for another venue, event organisers felt no other locations would do. “Almost all of the spaces were already booked and those that weren't were determined to offer insufficient space or were cost prohibitive for the market,” says Dan Darby, the general manager of US Antiques Shows, the fair’s parent company. But take heart, antique collectors: the fair is due to return in 2016.

From In The Frame
Published online: 28 August 2014

Hatha in the Hamptons

Lolë White's yoga classes at MoMA

On Wednesday, a group of very lucky yoga lovers got to get low with Rob Lowe at the Parrish Art Museum in Water Mill, New York. The “West Wing” and “Parks and Recreation” actor joined the fashion designer Donna Karan and around 300 others for some downward dog as a part of the Lolë White Tour, led by the yogis Colleen Saidman Yee and Rodney Lee. The pair are making stops around American and Canadian museums to lead yoga sessions, with proceeds going to various causes. The Parrish Art Museum tickets—which sold for $100 a piece—will support the Urban Zen Integrative Therapy Program of Southampton Hospital.

From In The Frame
Published online: 27 August 2014

Surreal world

Invisible Surrealists, 2014

For his latest exhibition at Paula Cooper Gallery in New York, the artist Sam Durant is out to prove that you can’t trust everything you read in your art history textbook. Inspired by the history professor Robin D.G. Kelley’s essay “Keepin’ it (Sur)real: Dreams of the Marvelous”, Durant uses classic group photographs of the Paris-based founders of Surrealism, including André Breton and Man Ray, as his source material. He then alters the images to include artists from the Francophone colonies who played an important role in the formation of the movement, but whose contributions often have been overlooked due to sexism and Eurocentrism. New additions to the canon, according to the exhibition “Invisible Surrealists” (12 September-18 October), include Wifredo Lam, René Ménil, Suzanne Césaire and Joyce Mansour. Who says history cannot be rewritten?

From In The Frame
Published online: 27 August 2014

A million little gardeners

Seedbed, 2010, by Elliott Arkin. Photograph: Amherst College

A Million Little Pieces author James Frey is set to turn the artist Elliott Arkin’s series of sculptures depicting famous artists as garden gnomes into a children’s book, due to be published in 2016. Four years ago, Frey purchased one of the resin works—a miniature lawn-mowing Picasso—from the series, titled A Peaceable Kingdom, 2004-2012, at New York’s Half Gallery, which he co-owned at the time. “It is one of the most brilliantly funny works of art,” Frey says. So when Arkin later asked the author to write a catalogue essay for his exhibition at the Museum of Modern and Contemporary Art in Nice last year, Frey suggested a short story. He wound up with enough material for a book and took an option on the rights from Arkin, who says, "I am thrilled to see what narrative James creates.”

From In The Frame
Published online: 26 August 2014

Local artists huddle for the 49ers

A preseason game at the new, art-filled Levi's Stadium in San Francisco. Photograph: Wikimedia Commons

If you’ve ever been to the AT&T Stadium in Dallas for a Cowboys game, you know that the arena is chock-full of art. Murals by Daniel Buren and Lawrence Weiner, sculptures by Doug Aitken, a mobile by Olafur Eliasson—high-quality works are all over the place. In San Francisco, the 49ers are putting together their own art programme, but with a local twist. Organisers at the new Levi’s Stadium, which opened this month, have commissioned 23 artists—20 of whom are from California—to highlight key moments in the American football team’s history. In one painting by the artist Milton Bowens, historic players are shown against the backdrop of the Golden Gate Bridge. “Whether they are champions or not, they are all champions in terms of the commitment that they made to the city and the organization,” Bowens says in a video about the project.

From In The Frame
Published online: 25 August 2014

‘Wannabe archaeologist’ fined for looting

A 60-year-old winemaker, dubbed a “wannabe archaeologist” by the French press, has been fined €197,000 for looting at least 2,000 items, including earthenware, coins and rings. The unnamed man, who was on trial in the Paris suburb of Meaux, used a metal detector to find the objects, which have been confiscated by the French ministry of culture. According to the French magazine Le Nouvel Observateur, he said that any digs were carried out with the permission of the relevant landowners. “These uncontrolled digs are a real problem. It’s a catastrophe,” Marc Drouet, the ministry’s deputy director, told the court.

From In The Frame
Published online: 23 August 2014

Steet art? Not for me, says Rome’s veteran critic

Artists sell their wares in the Piazza Navona. Photo: flickr user Roberto Taddeo

The venerable Italian art critic and curator Achille Bonito Oliva, best known as the champion of the Transavanguardia artists of the 1970s, has quashed speculation that he will be appointed to head a local government commission overseeing art vendors in Rome. City mayor Ignazio Marino pushed through new rules last month to ban vendors from hawking their trade near some of the historic centre’s most popular monuments, including the Colosseum, Imperial Fora and Spanish Steps. Artists are not immune; their numbers will be capped at 25 (from the 44 previously tolerated) in the prime tourist zone of Piazza Navona following a rigorous selection process based on technical skill. Hence the need for a panel of experts, chief among them Oliva, La Repubblica reported earlier this week. “It all happened without me knowing, no one contacted me, I read it in the papers,” the critic protested today, after thanking the city authorities “for the thought”.

From In The Frame
Published online: 22 August 2014

A new museum in Oman

A Twitter campaign helped bring attention to Mohammed Al Madhani's proposed museum

Omani activists, savvy in social media, have helped bring about the creation of a new museum in the exclave of Madha. For 43 years, Mohammed Al Madhani had been collecting ancient artefacts, rock inscriptions, coins and manuscripts around Madha, an Omani governorate entirely surrounded by the united Arab Emirates, but his dream of founding a museum to display his 15,000 objects had not yet come to fruition. An outpouring of support on social media in early August changed that. After a day of intense campaigning, including the creation of a hashtag— #Mutahaf_Madha—supportive Omani Tweeters managed to gain the attention of Oman's undersecretary at the Ministry of Heritage and Culture, Salim Al Mahruqi, who offered OMR300,000 (£466,000) towards the establishment of the Madha Museum. This was the culmination of various promotional efforts by campaigners, from a presence on Facebook, to a TV appearance over Ramadan. "The Madha museum deserved this support and needed to be promoted as one of the landmarks showcasing the life and times in Oman", said Mohammed Al Battashi, one of the campaigners, in the Times of Oman.

From In The Frame
Published online: 21 August 2014

It’s a filthy world

John Waters, Inga #3, 1994

The director of “Pink Flamingos” John Waters has been announced as a special guest of the next FotoFocus contemporary photography biennial, taking place in Cincinnati this autumn (8 October-1 November). The cult favourite film-maker will be performing his one-man, autobiographical show “This Filthy World”, in which he explains his fascination with the darker side of Americana, as part of the opening programming on 11 October. A visual artist as well as a director, Waters will also have a work included in “Stills”, one of the many exhibitions organised around Cincinnati during the biennial. Other plans for the city-wide photo event include a live-streaming show of pictures from the social media site Instagram, to which the public can submit their own photos using the hashtag #FotoFocus2014, and a scholarly discussion on photography during the Civil War, by the keynote speaker Jeff L. Rosenheim, the head of the photography department at the Metropolitan Museum of Art, New York. A full schedule of events can be found on the biennial’s website.

From In The Frame
Published online: 20 August 2014

The talking statues of England

What does Eduardo Paolozzi’s Isaac Newton statue have to say?

What if statues could talk? UK community arts producers Sing London are hazarding a guess at what they might say, having commissioned a host of British luminaries including the actor Patrick Stewart and BBC broadcaster Jeremy Paxman to lend their voices to 35 public sculptures in London and Manchester. Launching yesterday, 19 August, the year-long initiative invites passers-by to swipe their smartphones on pop-up plaques to trigger the imagined monologues of monuments such as Eduardo Paolozzi’s Isaac Newton at the British Library, Lynn Chadwick’s “Couple on a Seat” in Canary Wharf and the Unknown Soldier memorial at Paddington station. A belligerent L.S. Lowry at a Manchester pub laments the demise of drawing but embraces his destiny as selfie fodder, sighing “Go ahead—it’s not every day you have a drink with a talking statue!” With support from the Digital R&D Fund for the Arts and technology developed by museums multimedia designers Antenna International, the project has a serious side too: the user data generated will be analysed by the Research Centre for Museums and Galleries at the University of Leicester.

From In The Frame
Published online: 20 August 2014

Lauren Bacall’s wardrobe gets museum treatment

Lauren Bacall in Written to the Wind, 1956. Photograph: Wikimedia Commons

Lauren Bacall was still a teenager in the early 1940s when the legendary fashion columnist Diana Vreeland put her on the cover of Harper’s Bazaar. Over the next 70 years, Bacall became a fashion icon as well as a big screen darling, making friends with the designer Yves Saint Laurent while starring in films with Humphrey Bogart. As a tribute to her fashion sense, the Museum at the Fashion Institute of Technology in New York is organising an exhibition of her clothing, with a particular focus on her styles from the 1950s and 1960s. Before her death on 12 August, Bacall donated around 700 garments, including pieces by Christian Dior and Ungaro, to the Fashion Institute of Technology. The exhibition is scheduled to open at the museum next spring.

From In The Frame
Published online: 20 August 2014

Doodle bug

The School of Doodle

Artworld heavyweights are backing a Kickstarter project to fund a free online high school for girls to explore their creativity and develop their imagination. The School of Doodle is where 1990s grrrl power meets PBS-style art education, with a little bit of feminist punk rock philosophy on top. The school will offer lessons by over 70 “teachers” such as Marina Abramović, Klaus Biesenbach, Meschac Gaba, Jenny Holzer, Kerry James Marshall, Ernesto Neto, Hans Ulrich Obrist, and even Sonic Youth founding member, Kim Gordon. In times of encroaching cuts to arts funding the School of Doodle has some commendable but lofty goals such as closing the “confidence gap” in women and to “promote and protect girls’ imaginations”. The good news is that they’ve already hit their first $75,000 goal with a little help from artists like Vanessa Beecroft, Yayoi Kusama, Karen Kilimnik, Yoko Ono, Laurie Simmons and Taryn Simon, who have donated works (or doodles). The bad news is that you only have until 23 August to support the programme by bidding $150 or more to get your own doodle—though the perks start with a $1 donation.

From In The Frame
Published online: 19 August 2014

Khaled Jarrar finally leaves Palestine for Finland

Meet the Artists at To the Square 2 (left to right): Nikolay Oleynikov, Khaled Jarrar, Ivor Stodolsky and Marita Muukkonen. Photograph: Tomasz Szrama

The Palestinian artist Khaled Jarrar has had his travel ban lifted by the Israeli Security Agency, and has arrived in Helsinki to start working on a large-scale piece involving "50 volunteers in a performative action". Jarrar took part in the first public event of the "To the Square 2" project late last week when participating artists discussed their works with Finnish audiences. "It was a touching talk based on Jarrar's latest experiences," says Marita Muukkonen of Perpetuum Mobile, the organisation behind the project. En route to Finland, Jarrar successfully crossed Allenby Bridge in to Jordan. "This is the same border-crossing at which he was unexpectedly stopped and turned back earlier this summer, on his way to an opening at the New Museum New York," says a statement from Perpetuum Mobile. "My art is my weapon against inhumanity and injustice everywhere," Jarrar told The Art Newspaper.

From In The Frame
Published online: 17 August 2014

Monika deconstructs Mies

Monika Sosnowska Tower (left) and Mies van der Rohe's Lake Shore Drive apartments under construction

The Polish artist Monika Sosnowska is planning a public work for New York that riffs on Ludwig Mies van der Rohe’s famed Lake Shore Drive Apartments in Chicago. Tower will be a 110 foot sculpture that “quotes the steel framework” of Mies’s Chicago building, according to a press release. Constructed in two parts, Sosnowska’s sculpture has since been cut down into more than 50 pieces to allow for ease of transport and assembly. The work is due to be unveiled on 5 September outside Hauser & Wirth’s 18th Street gallery, and will be up until 25 October.

From In The Frame
Published online: 14 August 2014

Damien's very own 'Valley of the Dolls'

Hirst and his latest homage to the pharma industry's products. Photograph by Prudence Cuming, courtesy Paul Stolper Gallery, copyright Damien Hirst and Other Criteria, all rights reserved, DACS

Damien Hirst’s love affair with pills of all shapes and colours and his admiration of pharmaceutical industrial design has inspired new sculptures and prints, which are due to go on show in an exhibition at Paul Stolper Gallery in London. The show “Schizophrenogenesis” (9 October-15 November) sounds like “Alice in Wonderland” meets “Valley of the Dolls" as Hirst has super sized many of the pick-me-ups, ditto the packaging. The artist provides a sound-bite for the gallery's press release. Perhaps more Jacqueline Susann than Lewis Carroll, Hirst riffs: "Pills are a brilliant little form, better than any minimalist art. They're all designed to make you buy them…”

From In The Frame
Published online: 13 August 2014

The Bible—as seen by Broomberg and Chanarin

The Holy Bible according to Broomberg & Chanarin

The photographers Adam Broomberg and Oliver Chanarin made waves last year with their illustrated Holy Bible which resembles the King James’s version but contains horrific historical images, from the Holocaust to the atomic bombing of Hiroshima in 1945. The pictures, drawn from the London-based Archive of Modern Conflict, are linked to phrases underlined in red ink. Crucially, the duo were inspired by an unlikely source: Bertolt Brecht’s bible which they discovered in the Brecht archives in Berlin. The German playwright used his scriptures as a notebook, jotting comments in the columns. The Holy Bible is on view at the Mostyn gallery in Llandudno in “Divine Violence”, an exhibition presented in partnership with the Cardiff-based arts organisation Artes Mundi (until 2 November).

From In The Frame
Published online: 12 August 2014

Jarrar's travel ban means Helsinki is out of bounds

Jarrar's exhibition "Whole in the wall" was shown at Ayyam Gallery in London, June 2013

The Palestinian artist Khaled Jarrar wants to travel to Helsinki this week to prepare a large-scale piece comprising "50 volunteers in a performative action" taking place across the city. But the Israeli Security Agency (Shin Bet) has banned Jarrar from leaving Israel until 1 September, say the project curators, Ivor Stodolsky and Marita Muukkonen of Perpetuum Mobile, who insist that the work, part of "To the Square 2" project, will proceed "no matter what". "Jarrar is working with the leading Israeli human rights lawyer Lea Tsmeal regarding his situation. The curators are approaching various authorities and colleagues internationally," a press statement adds. The travel ban was enforced last month when Jarrar was due to attend the opening of the group show, "Here and Elswhere" (until 28 September), at the New Museum in New York, but was stopped by the Israeli authorities at the crossing into Jordan. The artist's Finnish fans will at least get to see him via a videolink; this digital appearance is scheduled to take place 14 August.

From In The Frame
Published online: 11 August 2014

Get ready, Young Americans

The performance quartet BAATHHAUS will present a genderbending take on David Bowie’s "Scary Monsters"

Prepare your bodysuits and glam rock make-up: David Bowie is poised to take over the US this fall. The performer’s first retrospective, “David Bowie Is”, is scheduled to travel to the Museum of Contemporary Art, Chicago on 23 September (through 4 January). The exhibition—which presents more than 400 objects from the David Bowie Archive—proved so popular at the V&A in London last year that scalpers attempted to sell counterfeit tickets. Anticipating similarly high demand, the MCA Chicago has set up a dedicated hotline for Bowie-related inquiries (+1 312 397 4068). It has also assembled a jam-packed programme of Bowie-inspired performances, including a David Bowie Variety Hour, which features local avant-garde performers’ reinterpretations of Bowie classics. But those who can’t make it to Chicago should not fret: on 23 September, a documentary about the exhibition is due to open at 100 theatres nationwide.

From In The Frame
Published online: 08 August 2014

Shop ‘til you drop in Aspen

Better than a postcard: Tire Swing, by Aaron Young, $23,000 at the Aspen Art Museum's shop

Most museum shops are stocked with postcards and refrigerator magnets. But the Aspen Art Museum, which opens its new Shigeru Ban-designed building to the public on 9 August, is offering more upscale inventory. The institution’s shop serves up designer goods including silver and gemstone rings by the German designer Karl Fritsch ($6,000-$12,500) and limited edition sculptures of crystallised National Geographic magazines by Alexis Arnold ($600), according to a recent “How to Spend It” feature in the FT. Who needs to go to a commercial gallery when you can purchase Tire Swing, an installation by the buzz-worthy artist Aaron Young, for $23,000 at your local museum shop? One hopes that patrons have some pocket money left over from the museum’s annual benefit ArtCrush, which raised $3m on Friday. Otherwise, the museum may find itself ordering more magnets.

From In The Frame
Published online: 07 August 2014

Moving along in Istanbul

Rafael Rozendaal

The Moving Museum's programme in Istanbul is picking up speed with international artists arriving in the city to start an ambitious residency programme (until-31 October), culminating in an exhibition due to open in October. Participating artists include Beirut-based Haig Aivazian, who explores the legacy of the oud musician Udi Hrant Kenkulian (1901-78), and the US artist Zach Blas who will "expand out of his previous work on biometrics, surveillance, and protest, investigating the internet's relations to control and dissidence", says a pithy press statement. Equally intriguing is Mai Thu-Perret's collaboration with a Kilim workshop in the remote region of Van in eastern Turkey. Dutch-Brazilian artist Rafael Rozendaal will, meanwhile, launch the Moving Museum's public programme on 7 August at its HQ, a 1940s villa in the central district of Cihangir (the organisers promise a "public talk and interactive YouTube party"). The Moving Museum presents contemporary art shows worldwide. It launched its first exhibition early last year in Dubai; a second iteration opened in October in London, coinciding with Frieze London.

From In The Frame
Published online: 06 August 2014

A 'cenotaph' of light pierces London’s night sky

Spectra by Ryoji Ikeda, 2014, view from Lambeth Bridge, photo by Olivia Rutherford

The sky over London was illuminated last night, 4 August, by the Paris-based, Japanese artist Ryoji Ikeda’s Spectra. Symbolically starting at 10pm, 60 minutes before the hour one hundred years ago that Britain declared war on Germany, the grid of 49 spotlights that create Spectra are installed near the Houses of Parliament. Visitors to Victoria Tower Gardens will be able to hear its musical element from 9pm to dawn each night until 11 August during which the work will form a temporary memorial in light, recalling the Cenotaph, Edwin Lutyens' war memorial in stone in nearby Whitehall, which was originally a temporary structure. The light and sound work forms one of the many Lights Out events organised to mark the centenary of Britain’s entry into First World War. The first time the work has been shown in a memorial context, in London it is presented by Artangel, the public art agency, and funded by the Mayor of London, 14-18 Now and WW1 Centenary Art Commission. Ikeda’s work was originally commissioned by Dream Amsterdam Foundation and Forma. It has been shown in Hobart, Tasmania, Sharjah, Paris, Barcelona and Nagoya since 2001.

From In The Frame
Published online: 05 August 2014

Switching on: artists reboot BBC Four

Last year BBC Radio 4 gave many of its morning listeners conniptions when, without warning, they slipped in a remix of its flagship news programme by the artist Christian Marclay right after the real thing. Might TV viewers turning on BBC Four’s “Abstraction” season this autumn be in for the same treatment? The BBC's memorable channel idents—the devices that appear on screen between shows and trailers—include back-flipping toys, slow-motion paint splatters and Hockney-esque sliding librarians and swimming pool divers. But while these have traditionally been in the hands of advertising agencies, now the artists are taking over, with the channel having commissioned Turner prizewinner Laure Provost, nominee James Richards, Jarman Prize laureate John Smith and the German artist Sebastian Buerkner to come up with the idents, which remain under wraps for a few more weeks. Of course we think they should just have handed over the entire station to the artists, but maybe the TV audience isn’t quite ready for that yet...

From In The Frame
Published online: 03 August 2014

A helping hand for Hepworth from London's dockers

Hepworth carving a wooden sculpture in 1963

A strike by London dockers in 1954 proved a blessing in disguise for the artist Barbara Hepworth, an exhibition of whose work will be a highlight of Tate Britain's 2015 programme. The sculptor's work is now on show in the Abbot Hall Art Gallery, Kendal, including Configuration (Phira), 1955 (until 28 September). On loan from Leeds Art Gallery, the piece is accompanied by the story of how it came to be carved out of the scented wood from Africa. When samples of Guarea wood arrived from Nigeria at Tilbury she faced a headache getting them to her studio in St Ives in Cornwall. The smallest sample weighed three quarters of a tonnes, and the largest two tons.There were 17 tonnes in total. “Mercifully,” she wrote, the strike allowed her breathing space to organise transport of the “lovely timber”.

From In The Frame
Published online: 01 August 2014

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