It is not surprising that, on the fourth centenary of Caravaggio’s death (1610) and with the numerous exhibitions and events scheduled for this year across the world to celebrate his artistic achievements, scholars might be tempted to offer the public new monographs on the Italian master. Also, it...
From issue 210, February 2010.
Published online 3 Feb 10 (Books)
Agreement reached to preserve carvings in Utah’s famed Nine Mile Canyon
From issue 210, February 2010.
Published online 3 Feb 10 (Conservation)
Three-year statute of limitations has run out
From issue 210, February 2010.
Published online 3 Feb 10 (Museums)
But it may not be legally possible to sue Spain in the US courts
From issue 210, February 2010.
Published online 3 Feb 10 (News)
2010 will be a year of continued reshaping: auctions will remain smaller and private sales will be preferred by many collectors
From issue 209, January 2010.
Published online 29 Jan 10 (opinion)
Leslie Hindman aims to serve the entire Southern region with her outpost in Naples
Web only.
Published online 29 Jan 10 (market)
But directors are still making cuts in museum budgets
From issue 210, February 2010.
Published online 28 Jan 10 (Museums)
How the richest museums have fared in the past year
From issue 210, February 2010.
Published online 28 Jan 10 (Museums)
Mohamed Atta offered artefacts to German archaeologist
From issue 210, February 2010.
Published online 27 Jan 10 (News)
US scholars, conservators and scientists collaborate to prove that a “14th-century manuscript” is a skilled fake
From issue 210, February 2010.
Published online 27 Jan 10 (Conservation)
Museums are invited to submit attendance data for our annual survey
Web only.
Published online 27 Jan 10 (Museums)

Tino Sehgal's performance art journey at the Guggenheim has been provoking a range of responses from visitors, who are led through the museum's empty spiral by actors that engage them in philosophical discussions. But in perhaps the first example of a viewer having an effect on the art, rather than vice versa, New York magazine critic Jerry Saltz unhappily related this weekend in his review of the show that he actually made the work of art cry. “I had been so slow taking notes and asking>>>questions to the perfect little girl who greeted me and started the conversation that, after passing me to the next person, she had broken down in tears… It is also the only time in my life I ever wrote a letter of abject apology to a work of art.”<<<
Michael Plummer: Could the art market be undergoing a fundamental restructuring?
Could the art market be undergoing a fundamental restructuring?
The Caravaggio season opens for scholars



Could the art market be undergoing a fundamental restructuring?




“Collecting is like a disease—you can only stop when you die”
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