Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Prizes
news

Dig for victory: artist duo win Prix Marcel Duchamp with urban excavation-themed work

French-Lebanese couple among shortlist of artists who were all born outside France

Anna Sansom
20 October 2017
Share
Centre Pompidou, 2017. Audrey Laurans

Centre Pompidou, 2017. Audrey Laurans

Joana Hadjithomas and Khalil Joreige from Beirut have been awarded the 2017 Prix Marcel Duchamp, France’s leading contemporary art prize, worth €35,000.

Their multi-disciplinary project, on show at the Centre Pompidou (until 8 January 2018), presents what they describe as a “conversation between historical territories” through columns of excavated stone from construction sites in Paris, Athens and Beirut.

“We want to go inside a forest of cores,” Hadjithomas, who worked with archaeologists and geologists, tells The Art Newspaper. The couple poured resin into the tubes of cores and used a machine to extract bubbles and gas. “The stone reacts to the resin because it is alive,” Hadjithomas adds. The project includes documentation on the walls about the various sites and a video.

Hervé Veronese

“The two artists have proposed an environment inscribed in our present time, touching on the memory of urban sites that they have excavated by cores, revealing the strata of their respective history,” says Bernard Blistène, the director of the Centre Pompidou and president of the jury.

This year, all four artists nominated for the prize, founded in 2000 by the Association for the International Diffusion of French Art (ADIAF), were born outside France but live in Paris.

The other nominated artists also reflect on the relationships between past and present, society and territory. The island-like installation by Maja Bajevic from Sarajevo, with light machines and coded messages about forgotten utopias, hints at a paradise lost while a television broadcasting propaganda footage from the Cold War era echoes today’s “fake news” era.

The UK artist Charlotte Moth has borrowed four dusty, plaster and marble sculptures from the City of Paris’s reserves and has reconfigured them in a fictional scenario. Meanwhile, in the Swiss artist Vittorio Santoro’s disquieting installation, a guillotine window looks onto a “sculptural situation” of a puzzle on the ground, a suspended plank of wood and a flag bearing aphorisms, evoking the nationalistic tensions in European politics.

Prizes
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Prizesnews
16 October 2018

Clément Cogitore wins the Prix Marcel Duchamp, France’s leading contemporary art prize

French artist uses hundreds of images of stock photography

Anna Sansom
Prizesnews
12 January 2021

Lithium mining and a Donald Judd horror film: nominees for Prix Marcel Duchamp—France's most prestigious contemporary art award—announced

The four artists will have their work exhibited at the Centre Pompidou in Paris for the prize, worth €35,000

Anna Sansom
Prizesnews
26 May 2017

Prix Marcel Duchamp, France's leading contemporary art prize, goes abroad

Shows at London's Whitechapel Gallery and in China aim to raise prize's international profile

By Anna Sansom