Comment

Art market

Will the UK be able to take part in antiquities busts after Brexit?

Nineteen of the accused in Operation Demetra face trial in December, while the alleged UK mastermind awaits extradition

Comment

Art market

Common mistakes of rookie auction guarantors

Guarantees can be lucrative, but in the face of savvy competition, novices can get burnt when backing works as a third-party

Comment

Politics

The mid-term elections brought many gains for progressive causes—but there is still work to be done

The artist Martha Rosler, whose politically focussed work is on view at New York’s Jewish Museum, explains what we can take away from this week’s Democratic wins

Comment

Auctions

Contemporary art’s value may be on the rise, but it comes at a greater cost

Chicago’s aborted effort to sell Kerry James Marshall’s public work teaches us something about the transactional nature of today’s culture

Comment

Sport

What is a football club doing at an art fair?

It's not just about money—credibility is a factor too

Comment

Art law

Cultural 'matrimony' could resolve heritage disputes

We need to rethink our perceptions of an artist or an artefact as having a single, unified or homogenous heritage

Comment

Museums

Zeitz Mocaa: Africa’s private ‘Tate Modern’ must do more for its public

More than a year after opening, the Cape Town museum’s curatorial and educational record has yet to live up to its promise

Comment

Jamal Khashoggi

Do not penalise Saudi Arabian artists for the murder of Jamal Khashoggi

"There is great fear now within Saudi Arabia, with even stricter self-censorship than before"

Comment

Middle East

Why being a royal artist in the Gulf is a mixed blessing

Rashid Al Khalifa of Bahrain is showing his art in London’s Saatchi Gallery

Comment

Leaders

Funding the arts through the National Lottery is not a winning solution

Thanks to an austerity-induced accounting trick, lottery funding is replacing taxes

Comment

Museums

The next chapter of the Peggy Guggenheim Collection is off to a strong start

One year after Karole Vail took over the Venice museum, major exhibitions and rehangs are in the works

Comment

Art market

The all-powerful market is sounding the death knell for connoisseurship

Today, art history is increasingly being written by dealers and auctioneers to suit their own purpose

Comment

Frieze London 2018

There is more to exhibitions than number-crunching

Our public institutions must hold their nerve and dare to offer audiences varied experiences, even at the expense of popular appeal

Comment

Frieze London 2018

Artists’ battle for refugees is beginning to pay off

Amid the din of cynical populists the voices of these fragile communities are needed more than ever

Comment

Frieze London 2018

Interested in a square inch of a Warhol? Fractional ownership hits the art market

A growing number of new investment platforms are touting the concept

Comment

Frieze London 2018

The future is virtual

The acceleration of technology and the solitary nature of VR are a problem, but the rewards are great

Comment

Museums

What will it take to restore Rio's National Museum to its former glory?

This will be no easy task and will require a broad coalition of forces

Comment

Museums

Kindling for the fire: why Brazil’s lost research archives are irreplaceable

Much more was lost than objects and papers when the National Museum burned down

Comment

Ivory

The UK’s imminent law against the trade in ivory is a serious threat to liberties, says former Lord Chief Justice

Civilians will be allowed to enter your house, break open containers and use “reasonable force”

Comment

Contemporary art

Quintessentially Chinese art gives way to a global identity

Contrasting Zhang Xiaogang with a young 'post-passport' generation

Comment

Leaders

Is contemporary art the kale of the art world?

The rise in popularity of the green vegetable mirrors that of contemporary art

Comment

Art market

Cryptocurrencies: a moving target for regulators

"Blockchain participants have had little guidance from regulators as to how they plan to shape the law so as to protect against criminal activity"

Comment

National Portrait Gallery

London's National Portrait Gallery’s contemporary art programme resonates more with the art world than the public

Though not as dire as first thought, visitor figures for the museum's contemporary shows have still been poor

Comment

Social history

Statues are part of history, but do a poor job of recording it

Matthew Sears is professor of classics and ancient history, University of New Brunswick

Comment

Politics

Why arts journalism matters: because art matters

Even in arts journalism, one can see the effects of President Trump's inflammatory rhetoric against the press

Comment

Ivory ban

Traffic believes the US and UK ivory sale bans are ‘vital elements in the international response’ to poaching

The official spokesman of the wild-trade monitoring organisation responds to The Art Newspaper's article on the trade in elephant ivory—and we respond to him

Comment

Restitution

Returning looted African art is as urgent as giving back works stolen by the Nazis

Congolese-born art collector Sindika Dokolo says this "long-neglected historical wrong" is finally being addressed—but more can be done

Comment

Art Basel 2018

Rapper pays $18.5m for work at auction but the artist gets nothing—is the system in need of reform?

Anny Shaw asks if auction houses and dealers should pay their dues to the artists from whom they profit

Comment

Art Basel 2018

Could fairs publish sale prices? Don’t hold your breath

“For all the supposed desire for transparency, no one will make the first move”

Comment

Art Basel 2018

Can the art market thrive in a sharing economy?

Melanie Gerlis on how millennials don’t seem to have the same collecting gene as previous generations

Comment

Museums

The problem with artist-driven museum boards

Brian Allen explains how artists can hurt rather than help museums like MoCA Los Angeles

Comment

Leaders

Sydney’s flagship museum is entirely focused on building a costly extension. Why?

Unless the Art Gallery of New South Wales begins to focus more on exhibitions, there is every reason to believe that Sydney Modern will be a gigantic and costly flop

Comment

Leaders

Egon Schiele was not a sex offender

The 100th anniversary of Austrian artist’s death has arrived just in time for the #MeToo movement

Comment

Saudi Arabia

Letter to the Editor: Saudi Arabia will collaborate with the world, not only France, to make its cultural heritage accessible

Al-Ula, the most important cultural heritage site in the north-west of the kingdom, will benefit from international standards in heritage preservation and planning

Comment

Photo London

Artists show their power to effect change

In the visual arts, a greater sense of activism is possible, and it’s being helped by the absorption of a broader range of disciplines and media into the canon

Comment

Leaders

Displaying the ruins of demolished social housing at the Venice Architecture Biennale is not ‘art-washing’

The V&A acquired a fragment of London's Robin Hood Gardens before it was demolished

Comment

Exhibitions

‘How can we judge a work of art that was inspired by a person’s faith?’

The Reverend James Martin, a Jesuit priest and author, on what Catholics can take away from the Met’s Heavenly Bodies exhibition

Comment

Exhibitions

Is nothing sacred? The Metropolitan Museum should apologise to the Vatican for Heavenly Bodies show

Curator Andrew Bolton’s Costume Institute blockbuster is pointlessly offensive to believers

Comment

Leaders

Retain or return? It’s complicated

The complex issues behind returning cultural goods to their place of origin

Comment

Politics

Vital artistic exchanges will be stifled by Trump's travel ban

The amicus brief signed by more than 100 museums should shame the justices of the US Supreme Court

Comment

Turner Prize

Who should win, who will win, and how smartphones dominate Turner Prize shortlist

Art critic Ben Luke gives us his take on this year's nominees

Comment

Letters

Letter to the editor: the Frick's viewing garden is worth preserving

Comment

Museums

The Frick’s expansion is a sensitive, elegant plan

The New York museum has shown it is a responsive listener and found ways to add much needed space and public amenities with surgical precision

Comment

Leaders

What we can learn from Saudi art

Suddenly, a lot of money is flowing through the kingdom for the promotion of contemporary art and culture

Comment

Museums

Two steps forward, one step back for Holocaust restitution

In a recent decision regarding Picasso’s Actor, the courts need to catch up with US government policy on Nazi-looted art

Comment

Restitution

Nazi policies forced Jewish collectors like Paul Leffmann to sell their art, whatever the price

Restitution experts say New York law recognises third party duress, so why did a recent court decision on Picasso’s Actor not recognise this?

Comment

300

'Issue one came out in less degraded times: more idealistic, less puffed up by PR machines'

Anna Somers Cocks, founding editor and chairman, looks back

Comment

300

Then & Now: boom, bust and rebirth of Damien Hirst

How The Art Newspaper has covered the artist's bullish decadence

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Museums

Then & Now: "Modern art is destroying itself," warned our first issue

Museums have since devoted sizeable resources

Comment

300

Then & Now: how The Art Newspaper shaped UK restitution law

Featuring a 900-year-old missal looted during the Second World War

Comment

300

Then & Now: the V&A and Queen Woyzaro Terunesh's wedding dress

The story behind the garment

Comment

Museums

Museums have a duty to be political

Activist curators and directors can make truly democratic spaces, but they need brave boards to support them

Comment

Conservation

How refugees are conserving Iraq and Syria's extraordinary monumental heritage

Opening mega museums is not the only way to exercise soft power in the region

Comment

Leaders

The mirage of riches in museums’ vaults

Putting aside museum ethics, Martin Gammon looks at the financial viability of museums deaccessioning their collection as a quick fix for financial trouble

Comment

Saudi Arabia

Crown Prince Mohammed of Saudi Arabia has roped an ancient city into his London charm offensive

The splendid Nabatean site of Mada’in Saleh may be opened to tourists

Comment

Restitution

The restitution revolution begins

President Macron is ushering in a new era for the return of displaced heritage

Comment

Deaccessioning

Auction houses must share the blame for university sell-offs

Christie's sale of 46 works from La Salle collection will diminish the museum and its academic programme

Comment

Authentication

When it comes to understanding authenticity, listen to the dealers and the market—not the academics

Display of works purportedly by Russian avant-garde artists fails to meet three key criteria

Comment

Donald Trump

'While I revile Trump as much as the next man, Nancy Spector was wrong to offer the Golden Toilet'

Georgina Adam on why Guggenheim's chief curator should rise above President and his "swampy" world

Comment

Andy Warhol

Andy Warhol goes to church

Why the pop artist—a lifelong, closeted Catholic—deserves to be shown at The Vatican

Comment

Art market

Small Italian galleries could suffer from influx of foreign dealers

Il Giornale dell'Arte's deputy editor weighs in

Comment

Museums

New Met charges are an unfair tax on tourists

The museum’s $25 admission fee discriminates against the non-New Yorkers who subsidise its huge tax privileges

Comment

Museums

Museums must reassert their values in the face of a divisive and malevolent Trump

The 45th president's values are at odds with those that most museums hold at their core

Comment

Politics

How should museums respond to Donald Trump?

We asked directors of prominent US institutions what they can or should do

Comment

Museums

How Egypt is destroying Cairo and civil society

The pharaonic new museum will not make up for misguided policies

Comment

Venice Biennale

Why I’m no longer funding Australia at the Venice Biennale

The financier and philanthropist Simon Mordant says the proposed restructure is 'not in Australia or the artists’ best interests'

Comment

Exhibitions

A matter of time: How long do you really need in Yayoi Kusama’s Infinity Mirrored Rooms?

Museums hosting the traveling exhibition of her immersive works think 30 seconds is enough—but they are missing the point

Comment

Leonardo da Vinci

Leonardo marketed as a rock star ahead of Salvator Mundi sale

Painting is being presented by Christie’s as the “Holy Grail of Old Master paintings”

Comment

Louvre Abu Dhabi

Louvre Abu Dhabi embraces all religions and displays the complexity of the world’s mind

New museum's universal approach derives from the open-mindedness of the founder of the UAE

Comment

Public art

‘The newly empty plinths are all potential Fourth Plinths’

The artist Hew Locke says a creative response to memorials dedicated to slave owners and empire builders can reveal hidden histories