Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Tate
archive

Important eighteenth-century and contemporary additions to Tate’s holdings

The works are from the Oppé collection and Janet Wolfson de Botton

The Art Newspaper
1 November 1996
Share

Last month the director of the Tate Gallery, Nicholas Serota, announced two major additions to its holdings. The Oppé collection, of over 3,000 works assembled by the scholar Paul Oppé, was acquired for £5 million, with help from the Heritage Lottery Fund and the NACF. This acquisition adds to the Tate’s eighteenth-century English landscape watercolours and drawings, which however, are still dwarfed by the holdings of the V&A and the British Museum. Equally important is the gift of fifty-six contemporary British and American paintings, sculptures, drawings and photographs by contemporary British art collector, Janet Wolfson de Botton, worth £2.3 million. She allowed the Tate to take its pick from her important collection and they selected works such as Andy Warhol’s last self portrait of 1986 and a large floorplate by Carl André.

TateContemporary artMuseums & Heritage18th century National Lottery Heritage FundBritish ArtMuseum acquisitions
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Tatearchive
31 July 1997

Bringing British art out of the shadows

Sir Edwin Manton, an American-based insurance executive, has donated £7 million ($11.2 million)

Martin Bailey
Tatearchive
1 January 2001

One-way transfer of 19th-century works from Tate to British Museum planned

All 19th-century European drawings and watercolours in the Tate’s collection will be loaned to the BM, with the possibility of transferring ownership entirely

Martin Bailey
Tatearchive
1 November 1992

Should the Tate Gallery split?

We asked leading figures in the art world whether the Tate should divide into the British Collections and a museum of international modern art: all but one were in favour

The Art Newspaper