The artist collective allowed buyers to decide the fate of a cow’s life (thankfully they chose a sanctuary over the slaughterhouse), but the intended awareness-raising gave way to polarising digital discourse
Ben Luke talks to Sarvy Geranpayeh about the continuing violence in the Middle East, discusses the new Art Basel and UBS Global Art Market Report with its author Clare McAndrew, and speaks to our reporter in Australia, Elizabeth Fortescue, about a new installation at the Sydney Biennale.
From a painting by a leading Australian Indigenous artist to a bejewelled book of Shakespeare poems, a Modernist beach buggy and a fine Greek marble, here are some of the works to look out for at the fair
The Maastricht show, which has been described as “a bit like the Davos of the art world”, has a unique position in the fair world—as well as being a place for selling art, the not-for-profit supports dealers and cultural NGOs
Political volatility and mounting operational costs weigh heavily on the trade, which ticked up to an estimated $59.6bn in 2025 after two years of decline
Even the customs authorities responsible for enforcing the regulations seem unsure when and how they apply
Despite ongoing management turmoil, there is a buzz around this year’s fair, as it welcomes more works from the past 100 years to its traditional roster
The fair is foregrounding its reputation as a place to discover new galleries and artists, with nearly half of exhibitors showing at Independent for the first time
As billionaires chase blue-chip trophies, a widening wealth gap leaves most would-be collectors priced out. Perhaps it is time artists focused on selling affordable prints again
As collectors tire of mega-fairs and splurge on experiential travel, a new wave of boutique events seeks to draw buyers and sellers to places like Aspen, Joshua Tree, St Moritz and Mallorca
When the venerable Stephen Friedman gallery shut last month, it followed a number of recent closures. Financial filings of the biggest names in the art market paint a picture of collapsing profitability
The duo has won a court order to force an art dealer to reveal details of his transactions with an unnamed intermediary
The evening brought in £197m, a 52% increase on last year's equivalent auctions
The packed auction totalled £131m and made a record for Leon Kossoff
Outstanding February sales in New York make clear that older art still has relevance, although not everyone seems to have got the memo
The fair's 45th edition opens as local exhibitors worry about the impact of the country’s prohibitive rate of VAT on art
The commitment to bricks and mortar can be expensive and inflexible for galleries
The non-profit, which uses art to connect communities on either side of the Mexico-US border, had to move its stand the day before Frieze's preview
Artists and dealers have really gone out on a limb this year—or several. Seemingly every other stand holds out a hand or sticks out a foot, and visitors appear to be getting a kick out of it.
The VIP preview saw galleries big and small taking care of business, and even Frieze’s new owner making a splashy purchase
The New York-based publisher sees opportunity in the city’s large community of artists
The city is eyeing the site, home since 1994 to more than a dozen galleries and arts nonprofits, as a possible location for state-mandated housing development
With lower costs than the main event, and in some cases models that are centred on artists, these smaller events seek to offer an enticing alternative to the blue-chip global fairs
The fair’s seventh edition gathers the local community of dealers and artists, along with dozens of international galleries, while fostering a convivial atmosphere
The firm's hometown fair will feature 290 exhibitors from 43 countries and territories
In a recalibrating market, auction houses are carefully balancing much needed fee revenue with compelling deals for both buyers and sellers
Challenges loom but artist royalties on secondary sales now apply in 90 countries
The auction will provide crucial financial support for the institution, which last year was looking at axing 60 members of staff as part of a cost-cutting drive
Around one-fifth of participating galleries are either first-time participants or returning to the fair after a hiatus
The two foremost satellite fairs of Mexico City Art Week are drawing record crowds and feature strong presentations by artists and galleries from across Mexico and throughout the Americas