The recent London auctions suggested a market of extremes, with some seeking the safety of guarantees and others speculating on works by young stars on the rise

Plus, an exhibition about wartime hideouts in Poland and Ukraine, and Mondrian’s final work Victory Boogie Woogie

A new code aims to introduce more transparency to the business of buying

The middle market, traditionally the art world’s unloved child, offers treats galore

It is now normal to consider art a bankable asset—for the very wealthy at least—but the art market is too volatile and risky for most investors

Plus, Caribbean-British art at Tate Britain and Marco Brambilla's VR work at Pérez Art Museum in Miami

As the whole art world starts to question traditional norms, the artist said she was "still figuring out what I want from a primary gallery relationship"—time will tell if she has now worked it out

In this extract from her new book, The Art Fair Story: A Rollercoaster Ride, Melanie Gerlis examines the trajectory of these art world events, from the post-war European model to the global behemoths of the 21st century

The commercial art world came back with a vengeance in September, but issues around sustainability and volatile prices still abound

Plus, Marlene Dumas at the Musée d'Orsay and Christian Boltanksi remembered

The latest UBS Art Basel report finds that top jobs are finally going to women—even at the mega galleries

Tech-led art businesses are starting to attract venture capitalist funding, with the NFT platform MakersPlace recently gaining $30m investment

Life is still uncertain but we know the industry can keep functioning against all odds through the pandemic, so enjoy the sun and save the questions for the autumn

Thanks to the pandemic, we have many alternative ways to buy, sell and enjoy art, and now this genie is out of the bottle, we don’t want to put it back

The thrusting land of NFTs and tech nomads favours the young—and has yet to shake off the old ties of nepotism

The British artist has had a bumpy boom and boost history when it comes to sales, but his ubiquitous brand makes him a safer bet in uncertain times

From hybrid online ventures to new subscription models, mass events in the art world won't look the same post-pandemic

The industry could work better for mothers and fathers if it doesn’t go back to the out-of-hours, out-of-town way things were

Without art fairs and hectic travel, the pandemic has transformed the way most of us work—and some are branching out rather than returning to their old lifestyle

It’s Frieze Week in London, yet there’s no big art fair at its heart. Can galleries create the usual excitement—and is anyone still buying?

New venture Superblue aims to attract younger audiences by selling tickets for immersive events, but its model is at odds with a socially distanced society

As galleries and auction houses slowly awaken from lockdown (some of them, at least), this summer will be one of work, not rest

As digital fatigue sets in, a little editing goes a long way with online viewing rooms—and sometimes a humble PDF with a few human touches makes a welcome break

In lockdown, many galleries have had a Damascene moment with online programming

In an increasingly competitive, mixed-category art fair environment, the president of the Dutch fair group made everyone apply each year

The London gallery sharing initiative feels like a significant step in a healthier direction

Futurist bronze sculpture cast from another bronze in the 1970s sells for $16.2m—four times its estimate

If not immune to geopolitical unrest, then perhaps art is a refuge for money that is struggling to find its way into other assets

Despite its commendable 'galleries-first' mindset, the scheduled fair's profit-sharing programme is not as revolutionary as it might seem

In this bumper edition we interview three of the world's leading artists, all of whom have shows timed to coincide with Frieze in London, plus all the latest news from the fair