This week on The Week in Art, Ben Luke talks to Melanie Gerlis about the recent turbulence in the banking sector, as US banks go under, an ailing Credit Suisse is acquired by UBS and Deutsche Bank shares fall at one point by 14%. What are the implications for the art world? Melanie also explains the figures in the latest Art Basel and UBS Global Art Market Report.
The Baltimore Museum of Art (BMA) in the US this week opens the exhibition The Culture: Hip Hop & Contemporary Art in the 21st Century. We speak to Asma Naeem, the director of the BMA and co-curator of the show, about what she’s called “the second pop art movement”.
And this episode’s Work of the Week is The Calling of Saint Matthew (1661) by the 17th-century Afro-Hispanic artist Juan de Pareja. He is best known as the subject of one of the greatest ever portraits, by Diego Velázquez, the artist who enslaved Pareja before his manumission in Rome in 1650. David Pullins and Vanessa K. Valdés, the curators of a new exhibition about Juan de Pareja at the Metropolitan Museum of Art in New York, tell us about the painting.
• Juan de Pareja, Afro-Hispanic Painter, Metropolitan Museum of Art, New York, until 16 July