The industry could work better for mothers and fathers if it doesn’t go back to the out-of-hours, out-of-town way things were

Without art fairs and hectic travel, the pandemic has transformed the way most of us work—and some are branching out rather than returning to their old lifestyle

It’s Frieze Week in London, yet there’s no big art fair at its heart. Can galleries create the usual excitement—and is anyone still buying?

New venture Superblue aims to attract younger audiences by selling tickets for immersive events, but its model is at odds with a socially distanced society

As galleries and auction houses slowly awaken from lockdown (some of them, at least), this summer will be one of work, not rest

As digital fatigue sets in, a little editing goes a long way with online viewing rooms—and sometimes a humble PDF with a few human touches makes a welcome break

In lockdown, many galleries have had a Damascene moment with online programming

In an increasingly competitive, mixed-category art fair environment, the president of the Dutch fair group made everyone apply each year

The London gallery sharing initiative feels like a significant step in a healthier direction

Futurist bronze sculpture cast from another bronze in the 1970s sells for $16.2m—four times its estimate

If not immune to geopolitical unrest, then perhaps art is a refuge for money that is struggling to find its way into other assets

Despite its commendable 'galleries-first' mindset, the scheduled fair's profit-sharing programme is not as revolutionary as it might seem

In this bumper edition we interview three of the world's leading artists, all of whom have shows timed to coincide with Frieze in London, plus all the latest news from the fair

The divide between primary and secondary markets blur as sales skew in favour of a few recognised, bankable artists

As his show opens at the Kunstmuseum Basel, we talk to the South African artist about his latest works. Plus, we look at the 50th edition of the Art Basel fair. Produced in association with Bonhams, auctioneers since 1793.

Are the demands of the international art world are compatible with parenting?

People under the age of 22 account for 40% of consumers

London case surrounding Brueghel painting raises questions over whether a work's full sales history should be listed—even when that shows a big markup

The latest Art Basel and UBS report makes for uncomfortable reading

Dealers face a difficult marketplace but industry leaders say “engagement is the currency of the 21st century”

Loss of some regular exhibitors in favour of blue-chip contemporary art galleries is the latest in a string of changes to the venerable Dutch fair

A slew of recent high-profile departures begs the question—are top auction house executives burning out?

Christie's and Sotheby's sell near identical Van Dyck portraits of Princess Mary, and new records are set for Frans Hals and a jolly Judith Leyster

Fifteen years on since we first reported from Art Basel in Miami Beach, art as an investment has taken a new form

Concern for Delhi and Düsseldorf fairs following MCH Group withdrawal

The gallery gene does not normally survive beyond one generation, so how can contemporary art galleries survive their founders and keep their edge?

The curvaceous M indicates a work that is "subject to right of first refusal"

Judge finds in favour of Arts Council England, but collector Kathleen Simonis argues Italian laws are incompatible with EU free movement of goods

Melanie Gerlis on how millennials don’t seem to have the same collecting gene as previous generations

Korean artist has covered exterior of Brutalist gallery with 180,000 crystals as part of mid-career survey