Louisa Buck

Louisa Buck is contemporary art correspondent at The Art Newspaper

Connect
Public artfeature

London's Elizabeth Line finally opens—we take a look at the ambitious art commissions across the train stations of the £19bn project

Yayoi Kusama, Sonia Boyce and Richard Wright are among the artists who have created works for the 10 brand-new stations

London Gallery Weekend: the must-see exhibitions in East London

With last day of London Gallery Weekend 2022 is focused on the East End, critic Louisa Buck selects the best shows in the area

London Gallery Weekend: the must-see exhibitions in South London

On Saturday 14 May, the focus of the event shifts south of the river. Our critic Louisa Buck picks out the shows you should visit

Green is the New Black: a new column spotlighting the movers and shakers making the art world more environmentally sustainable

From industry-wide coalitions to individual initiatives, our correspondent Louisa Buck looks at how the art industry is responding to our climate and ecological crisis

Sponsored byCrozier

Jane Hall, Assemble: ‘It wasn’t about changing architecture; it was that we loved building something together’

The Turner Prize-winning art, design and architecture collective has a new show, which takes a Lina Bo Bardi drawing as a launchpad to work with Nottingham schools

The best of the Venice Biennale: our critics’ review

Plus, artists Francis Alÿs, Sonia Boyce, Shubigi Rao and Na Chainkua Reindorf on their national pavilion shows; and a Bellini masterpiece

Hosted by Ben Luke. with guest speakers Louisa Buck and Jane Morris. Produced by Julia Michalska, David. Clack, Aimee Dawson and Henrietta Bentall
Sponsored byChristie's

Venice Biennale 2022: Louisa Buck's picks

Our contemporary art writer picks out the three things she's most looking forward to in Venice

Scottish pavilion: Alberta Whittle unravels Venice's often troubling relationship with Blackness

The Barbados-born Scottish artist's work will address oceanic histories and the city’s traumatising images of enslaved Black people hidden in plain sight

Flamenco, floating stages and a Stravinsky revival: programme for Venice's 2022 dance biennial revealed

Biennale Danza director Wayne McGregor has given the 16th international festival of contemporary dance the title of "Boundary-less" to reflect the current state of global flux

Thomas Dane exhibition in Naples explores the power and precarity of ceramics

Lynda Benglis and Magdalene Odundo join historical figures like Lucio Fontana in a group show that pushes at the limits of what clay can do

Magdalene Odundo discusses dancing with clay ahead of Venice Biennale exhibition

Ceramics have at last gained due prominence in contemporary art. After decades of making her sensual vessels, the Kenyan-British artist explains why

Hew Locke's carnivalesque Tate Britain commission tells disturbing colonial histories with flamboyance

The Procession, installed in the Duveen Galleries, references the museum's historic links to the sugar industry and slavery

Power to the people: London’s new public art gives a glimmer of hope in gloomy times

A colourful playground, giant vegetable sculptures and an elegant etched glass installation have all brightened up the capital this year

Why did the €471m Caravaggio villa fail to sell?

Plus, artists create their own monuments at Goldsmiths CCA in London and Michael Armitage on Sane Wadu at the newly opened Nairobi Contemporary Art Institute

Sponsored byChristie's

The Year Ahead: the best exhibitions to look forward to in 2022

Plus, who will be the art market’s winners and losers?

Sponsored byChristie's
Haroon Mirzainterview

Haroon Mirza: ‘The question I’m asking is, what kind of species are we?’

As he opens a show in New York and looks forward to his participation in the Lille3000 festival, the artist-composer discusses his interest in energy and power in their many forms