Julien Pradels will fill the role left when Bonnie Brennan was promoted to chief executive

What’s behind the new, more measurement approaches to programming at museums, art fairs and more? Plus, a chat about current tensions around culture in the Netherlands and a close look at one of the most famous depictions of a wintery landscape

Gallerists vary in how they navigate between building relationships with the artists they represent and the collectors who are their clients—but there may be an overarching advantage to the struggle

The High Desert Art Fair recently held its third edition, bringing collectors, dealers and miniature donkeys to Pioneertown, California

US museums relish the fair as much as ever, and are increasingly interested in buying works that will diversify their collections

Temporary Admissions, where goods can come into the country without import duties, increased to four years to help post-Brexit art market

The leading lot is a painting by the artist's close friend Kenneth Noland

Tefaf Maastricht, which holds its 38th edition this month, is attempting to teach audiences about pre-20th century art. But brand obsession among young buyers and a global education crisis are creating barriers to its appreciation

Investment in public data libraries and technology skills is welcomed, but the human creativity at the heart of art needs protection from unconstrained generative AI

Founder Nazy Vassegh plans to make a comeback but warns of difficulties for dealers and collectors doing business in the UK capital

Exhibitions are lasting longer, artists are reducing their output and more discerning collectors are all contributing to the change

The £12.2m auction relied on tried and tested names, but estimates proved too high for buyers' appetites

What might the fallout be after Creative Australia’s unpopular decision to cancel Khaled Sabsabi’s project? Plus, AI art beyond this week’s open letter and a chat about Catlett’s terracotta sculpture ‘Tired’

The ring, which dates from the ninth or tenth century, has been unofficially likened to J.R.R. Tolkein's “one ring to rule them all“

The upstart gallery is also bringing on Pace’s Hannah Root as director of sales and has added the artist Melissa Joseph to its roster

Double-header sale in London last night was led by René Magritte with strong prices for Paul Delvaux and Tamara de Lempicka

In all, 28 of the Augmented Intelligence sale's 34 lots found buyers, including pieces by Refik Anadol, Charles Csuri and Harold Cohen

Last night's sale at Sotheby's, which totalled £62.5m, also included a £4.3m Banksy sold by blink-182 frontman Mark Hoppus

The dealer’s two-year prison sentence for embezzlement was pushed back pending appellate court rulings

Artists have a history of giving cultural and social relevance to new technology. Recent exhibitions of artificial intelligence art and a sale at Christie's New York highlight new approaches to collective ownership and governance that are applicable to the wider community

‘A rippling impact across our sector’: Canada’s art trade is seeking to lessen its dependence on US buyers to soften the blow of 25% tariffs on imports

Plus, a rare trio of paintings by Surrealist Paul Delvaux, and a watercolour of an Egyptian soirée by John Frederick Lewis

Around 60 works estimated for a total of $80m to $120m from the collection of Jordan and Thomas A. Saunders will be offered in New York this May

Fears of growth in illicit art trade amid US dumping kleptocracy teams

The 6,000 sq ft space occupies a townhouse that was once home to a storied gentleman's club frequented by John Ruskin and Dante Gabriel Rossetti

The fair, organised by the Craft Council, open this week at London's Somerset House

This year 48 galleries take part in Manila's premier art fair

It is still too soon to tell how the city’s art scene will be affected by the blazes in the long term

Transhistorical shows, often pairing Old Masters with contemporary art, are frequently critical successes but the commercial benefits are less obvious

Collaborating on projects and sharing spaces allows smaller galleries to keep costs down—and to learn from each other