Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Tate
archive

National Portrait Gallery: more transparent than Tate

Commission sum disclosed for Tom Phillips, unlike the purchase of "The Upper Room"

Martin Bailey
1 January 2006
Share

When National Portrait Gallery (NPG) director Dr Charles Saumarez Smith left his post to move to the National Gallery in 2002, another trustee, Tom Phillips, was paid to paint his portrait for the collection. The NPG was completely open about the commission, allowing a television film to be made about the process. The sum paid, £11,000, a discount on Phillips’ commercial rate, has also been disclosed. In the NPG’s trustee minutes of 10 July 2003, which are publicly available, the price is stated. In the NPG’s 2002-3 annual report and accounts, laid before Parliament, it is also recorded under Related Party Transactions: “The trustee Mr Tom Phillips was commissioned to create a portrait of the outgoing director for a fee of £11,000”. With The upper room, although the purchase is noted in the Tate’s 2004-5 accounts, no sum is given.

TateCommissionsAcquisitionsNational Portrait GalleryChris OfiliMuseums & HeritageMuseum trustees
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Tate Modernarchive
31 May 2005

National Portrait gallery plays host to Blair as Tate Modern passes on Labour Party's party

Due to a policy not to allow political events, the Tate declined to host Tony Blair's shindig

Martin Bailey
Tatearchive
1 November 2006

New agreement between the Tate and National Gallery allows for more flexibility

Meeting between museum directors results in increased flexibility whilst borrowing pictures outside the 1900 division

Martin Bailey