Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Contemporary art
news

Anish Kapoor's fruity retort to Versailles controversy

The Art Newspaper
15 June 2015
Share

The controversy over Anish Kapoor’s vast French horn-esque sculpture sited in the grounds of the Palace of Versailles outside Paris rumbles on. Kapoor told the French press that the 60m-long funnel, Dirty Corner, represents “a queen’s vagina taking power” (but Kapoor says that he was misquoted, telling the BBC that “a work has multiple interpretive possibilities”). The London-based sculptor is showing a golden mirror work with Lisson Gallery at Art Basel which, being blunt, also has multiple interpretive possibilities. Kapoor was at Art Basel on Monday, so we thought we’d ask him about the French “sex organs scandal”. What about the row in France, we tentatively enquired. “Fuck ’em!” was Kapoor’s rather racy and robust riposte.

Subscribe to our daily newsletter

Contemporary artArtists
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter subscribe
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
Download our apps
Download from the App StoreGet it from Google Play
© The Art Newspaper

Related content

Lost artfeature
1 October 2018

Lost art: the joys of the ephemeral

Noah Charney on amazing works that were always meant to be temporary

Noah Charney
Artistsnews
6 February 2020

‘Who put a price on my head?’ Mayfair gallery’s show of coal miners’ bronze busts sparks controversy

Sculptures are a ‘preview’ of a public commission by Laurence Edwards due to be unveiled in Doncaster in May

Anny Shaw
Artistsinterview
15 June 2026

Anish Kapoor: ‘Just because a thing is big, it doesn’t mean it’s of any interest or even good’

With a retrospective at the Hayward Gallery in London, the Turner Prize-winning artist—known for his monumental creations and use of rich pigments—explains why he continues to be drawn to feminine imagery, how rituals are important to his art, and what it is like working with the blackest black

Louisa Buck
Art fairsnews
16 June 2015

Kapoor’s fruity retort to France

All the gossip from Art Basel and beyond

The Art Newspaper