Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
In the frame
news

Moreau’s links to Modernism explored

The Art Newspaper
4 April 2016
Share

Paintings by the late French Symbolist artist and writer Gustave Moreau are juxtaposed with the work of Modern and contemporary artists such as Marc Chagall, Max Ernst, Damien Hirst and Richard Prince, in the show Les Fleurs du Mal (The Flowers of Evil) at Nahmad Contemporary gallery in New York (until 9 April 2016). The exhibition draws its name from a book of poems by the forefather of the Symbolist movement, the French poet Charles Baudelaire. “Moreau’s and Baudelaire’s ties to the decadent movement… reminded me a great deal of how radical the notion of art for art’s sake once was”, says Joe Nahmad, the founder of the gallery. “A focus on purely aesthetic, emotional pursuits anticipated what Modern artists would later push into a myriad of directions, and what contemporary artists take for granted, to a certain degree.”

Subscribe to our daily newsletter

In the frame
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

In the framenews
1 February 2017

Beauty pageant asks: which portrait does it for you?

By The Art Newspaper
In the framenews
11 March 2017

Big brothers: Ai Weiwei and Herzog and de Meuron team up for surveillance installation

By The Art Newspaper
Tatearchive
1 November 1999

Bloomsbury: a rather faded modernity

Two scholarly exercises in assessing the roles of Roger Fry, Vanessa Bell and Duncan Grant

The Art Newspaper