Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art market
news

Russian art sales continue to tumble

The combined total is a new low, but there are (small) reasons to hope

Ermanno Rivetti
9 June 2016
Share

Fine art and decorative art at Sotheby’s, Christie’s, MacDougalls’s and Bonhams brought in a combined total of £16.4m, a new low since the £17.2m in December last year, according to figures from the online platform Russian Art and Culture.

The London sales of Russian fine and decorative art have been in decline since 2011, when they hit a high of around £30m. The Crimean invasion of 2014, subsequent economic sanctions, the fall in oil prices and the collapse of the ruble sent the country’s market into free fall. Once-powerful collectors saw their spending powers slashed.

“The biggest problem, other than the currency, is the lack of consigners: no one wants to sell in a crisis so it’s a middle-market affair” says Simon Hewitt, the editor of Russian Art and Culture. The only lot that hit seven figures was Ivan Shishkin’s At the Edge of the Pine Forest (1897), which sold at Sotheby’s for £1.4m with fees, twice its upper estimate.

Three of the top ten selling paintings were sold at MacDougalls, among which was Alexander Yakolev’s painting of Palmyra (1933), now in ruins at the hands of Isis, which sold for £462,000 with fees, way past its estimate of £110,000-£150,000.

The good news is that “the collapse seems to have stabilised”, according to Hewitt, who points out that overall selling rates and consignment volume has plateaued, suggesting that the free fall might be over. “The slightly higher selling rate [+1% since December’s sales] is a result of lower reserves, a sign that consigners are beginning to accept the state of the market. The intangible thing is buyer confidence though—the idea that it’s a good time to buy.”

One man’s loss is another’s gain, however, and there are potential bargains to be made if you’re a buyer, given the fall in prices for many Russian artists.

The other good news, as Hewitt says, is that the price of oil has risen to $50.3 a barrel, its highest value since July 2015, and the ruble is 6% stronger against the pound than it was in December last year.

Sale totals (including fine art and decorative arts)

Sotheby’s

£8.3m with fees

68% sold by lot

Christie’s

£4.4m with fees

74% sold by lot

MacDougall’s

£3.35m with fees

43% sold by lot

Bonhams

£354,000 with fees

40% by lot

Subscribe to our daily newsletter

Art market
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter subscribe
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Auctionsanalysis
23 November 2018

The highs and lows of New York ‘gigaweek’

Hockney made the headlines, but other artists made waves—or flopped—at November’s auctions

Anna Brady and Margaret Carrigan. with additional reporting by Gabriella Angeleti and Nancy Kenney
Auctionsnews
30 June 2016

London sales take the next hit

Impressionist and Modern evening totals are down by half, but a dearth of top works is more to blame than the UK’s Brexit vote

Ermanno Rivetti
Auctionsnews
31 March 2017

Asian clients drive strong sales at auction houses

“The market is back,” says Christie’s head—but pressure to secure top property is “huge”

By Anny Shaw and Ermanno Rivetti
Art marketnews
1 November 2016

Post-Brexit fears calmed as buyers take advantage of weak pound

In London, low estimates and favourable exchange rates boost contemporary profits… but at the Italian sales, fewer stand-out lots bring results down from last year’s high

Anny Shaw, Anna Brady and Ermanno Rivetti