Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
News

Art for whitehall and far-flung

By Martin Bailey
1 February 2017
Share

The origins of the Government Art Collection go back to 1898, when paintings were acquired for the Whitehall offices of government departments. Since then, the scheme to place art in government offices has become much more ambitious, particularly since it was expanded in 1935 to cover UK embassies abroad. In 1961, it was named the Government Art Collection. Among the most important places where works hang are the Prime Minister’s residence at No. 10 Downing Street and ministerial offices. The art that is overseas serves to further the aims of cultural diplomacy.

The collection now comprises 14,000 works. These include 2,600 paintings (which compares with 2,700 paintings in the National Gallery and 6,600 paintings and sculptures, excluding Turner works at the Tate). The remaining 11,400 items are works on paper (mainly prints, since light-sensitive watercolours and drawings are now rarely acquired to avoid conservation problems) and a few sculptures.

The works are nearly all by British artists, although there are a few paintings made by foreigners of British subjects. They date from the 16th century to the present, with just over half made before 1900. Artists represented include Van Dyck, Hogarth, Gainsborough, Sickert, Moore, Hepworth and Freud.

Most of the works were purchased, although some have been donated, often by the artist. The current annual acquisition budget is £300,000 and a further £366,000 comes from the Department for Culture, Media and Sport for administration and care of the collection. Latest acquisitions include a portrait of Henry VIII by an unknown artist (around 1527-50) bought for £98,000, and a photograph entitled No Moon Shining (2010) donated by the artist Isaac Julien.

Subscribe to our daily newsletter

News
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter subscribe
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
Download our apps
Download from the App StoreGet it from Google Play
© The Art Newspaper

Related content

Collector's Eyeinterview
21 September 2026

‘If I love it, I know it’: collector and Pace Prints president Jacob Lewis on trusting first impressions

The president and chief executive of Pace Prints discusses his love of printmaking and the exhibition he is most looking forward to this autumn

Benjamin Sutton
Exhibitionspreview
2 October 2026

Exhibition at New York's Met examines how Lee Krasner and Jackson Pollock's relationship enriched their art

A new show argues that the Abstract Expressionist power couple could never have made their groundbreaking works without each other’s support

Elena Goukassian
Book Clubblog
7 July 2026

An expert’s guide to Gustave Courbet: five must-read books on the French painter

The best Courbet publications, from a comprehensive monograph to a look at how he was “a skilful media strategist”—selected by the curators Sonja Pizonka and Anna Brohm

José da Silva
Art fairsnews
25 September 2026

The expanded Independent 20th Century fair offers abstraction of all stripes

True to the fair’s mission, many exhibitors are showing works by long-overlooked practitioners of abstract art

Benjamin Sutton