Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Exhibitions
news

Nate Lowman’s new works to focus on Las Vegas mass shooting

Series of paintings at David Zwirner London are based on crime scene images released by police

Gareth Harris
20 September 2019
Share
Nate Lowman, Picture 4 (2018) Courtesy the artist and David Zwirner

Nate Lowman, Picture 4 (2018) Courtesy the artist and David Zwirner

The US artist Nate Lowman will unveil a series of new paintings at David Zwirner gallery in London entitled October 1, 2017 (2 October-9 November), based on crime scene photographs of the mass shooting in Las Vegas in October 2017. Fifty nine people were killed after gunman Stephen Paddock opened fire on concertgoers attending the Route 91 Harvest country music festival on Las Vegas Strip.

The police released photographs of the Mandalay Bay Hotel and surrounding area where Paddock carried out the attack. “Lowman, who was born in Las Vegas, began translating the images, one by one, into paintings, in part as an attempt to grapple with the unanswerable questions posed by the shooting,” says a gallery statement.  

Nate Lowman, Picture 1 (2019) Courtesy the artist and David Zwirner

The work Picture 1 (2019) shows a detail of a hallway door that was blasted by the gunman in a bid to stop police from gaining access to his hotel room on the 32nd floor. Picture 26 (2018), which “appears at first glance as a blown-out, colour field abstraction [...] references a photo of pulverised bullet residue on fuel tanks at the adjacent McCarran International Airport”, the statement adds. Picture 4 (2018) is based on a photograph of the hallway leading to the gunman’s room.

Lowman told Paper City magazine in 2015: “Over the years I’ve made art works that have to do with car culture, such as the bullet-hole paintings, air freshener paintings, gas-pump works and bumper-sticker paintings. These all came out of spending hours and hours on the road throughout my young life, especially in Southern California.” The artist, who previously worked with Maccarone gallery in New York, joined the Zwirner stable earlier this year.

Subscribe to our daily newsletter

ExhibitionsDavid ZwirnerCrime Nate Lowman
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter subscribe
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Yayoi Kusamanews
30 October 2020

Yayoi Kusama on 2020: ‘O demons of unwonted fate. We will stand and face you’

New publication—described as “most personal book to date”—will focus on artist’s use of language

Gareth Harris
Exhibitionsreview
5 May 2021

Top shows to see in New York during Frieze week

From Eva Hesse and Hannah Wilke at Acquavella Galleries to Deana Lawson at the Guggenheim

Gabriella Angeleti, Wallace Ludel and Nancy Kenney