Dutch police arrest over Van Gogh smash-and-grab raid: how long until the landscape is recovered?

The suspect is linked to a Frans Hals theft, which should help track down paintings from two museums

A montage publicising the arrest, showing Van Gogh’s The Parsonage Garden at Nuenen in Spring (March 1884) and detail of Frans Hals’ Two Laughing Boys (around 1626), with the Dutch police logo Courtesy of Netherlands Police

A montage publicising the arrest, showing Van Gogh’s The Parsonage Garden at Nuenen in Spring (March 1884) and detail of Frans Hals’ Two Laughing Boys (around 1626), with the Dutch police logo Courtesy of Netherlands Police

Adventures with Van Gogh

Adventures with Van Gogh is a weekly blog by Martin Bailey, our long-standing correspondent and expert on the artist. Published every Friday, his stories will range from newsy items about this most intriguing artist to scholarly pieces based on his own meticulous investigations and discoveries.

This week the Dutch police arrested a man over the theft of a Van Gogh stolen on 30 March 2020, the artist’s birthday. He is also suspected of involvement in stealing a major Frans Hals painting. Linking the two crimes suggests that detectives have made considerable progress in their investigation.

Broken glass door of the Laren Singer museum Courtesy of Netherlands Police via Reuters

Vincent van Gogh’s The Parsonage Garden at Nuenen in Spring (1884) was in an exhibition at the Singer Laren museum, on loan from the Groninger Museum. It was stolen two weeks after the closure of the museum because of Covid-19. Security cameras recorded a man with a sledgehammer breaking glass doors to enter in the early hours of the morning. Others were presumably also involved in the theft and in subsequently handling the painting.

Last June the Dutch private detective Arthur Brand released photographs of the Van Gogh which included a copy of the New York Times. This “hostage image” appeared to confirm that the painting still survived.

Van Gogh’s The Parsonage Garden at Nuenen in the Spring (1884) with a copy of the New York Times (30 May 2020) and Wilson Boldewijn’s book Meesterdief (2018)

On 6 April an unnamed man was arrested in Baarn, a small town outside Utrecht. Dutch police also suspect him of involvement in the theft of the Frans Hals painting Two Laughing Boys (around 1626), which was stolen from the Hofje van Mevrouw van Aerden museum in Leerdam on 26 August last year.

The Dutch police said in a statement: “Intensive research was conducted into the robbery of both paintings. This has led to the arrest of a 58-year-old male… The man is suspected of stealing the paintings… This arrest is an important step in the investigation.”

A link has therefore been established between thefts against two museums within a five-month period, both close to Baarn—Laren is only 7km away and Leerdam is 38km away. Linking the crimes should hopefully mean that detectives can use evidence from both incidents to help track down the perpetrators. However, it is likely that the paintings are now in separate locations.

In the Netherlands there have been strong rumours that the Van Gogh and the Hals are being used as “currency” in the underworld, although their value would be well under a tenth of what the paintings would fetch on the open market. The criminals may also believe, erroneously, that the return of the works could be used as a lever to secure lenient treatment from the authorities for an imprisoned associate.

In making the arrest, the police may well have been acting on a tip-off. If so, detectives should have more information beyond the identity of the arrested suspect.

For art lovers, the question now is whether the police are nearer making recoveries. Andres Blühm, the director of the Groninger Museum, tells The Art Newspaper: “we are delighted about news of the arrest and hope that this will help recover the painting soon and in good condition”.

Evert van Os, the director of the Singer Laren, says that although the arrest has not been accompanied by a recovery, “it is now a year since the burglary, and every day we hope to receive good news”.

But recoveries may take time. After the theft of two paintings from Amsterdam’s Van Gogh Museum in 2002 it took 14 years before they were found in Italy. Meanwhile, the Dutch police are still appealing for further information from the public over the Laren and Leerdam crimes.

Martin Bailey is a leading Van Gogh specialist and investigative reporter for The Art Newspaper. Bailey has curated Van Gogh exhibitions at the Barbican Art Gallery and Compton Verney/National Gallery of Scotland. He was a co-curator of Tate Britain’s The EY Exhibition: Van Gogh and Britain (27 March-11 August 2019). He has written a number of bestselling books, including The Sunflowers Are Mine: The Story of Van Gogh's Masterpiece (Frances Lincoln 2013, available in the UK and US), Studio of the South: Van Gogh in Provence (Frances Lincoln 2016, available in the UK and US) and Starry Night: Van Gogh at the Asylum (White Lion Publishing 2018, available in the UK and US). Bailey's Living with Vincent van Gogh: The Homes & Landscapes that Shaped the Artist (White Lion Publishing 2019, available in the UK and US) provides an overview of the artist’s life. His latest publication is the reissued book The Illustrated Provence Letters of Van Gogh (Batsford 2021, available in the UK and US).

• To contact Martin Bailey, please email: vangogh@theartnewspaper.com Please kindly refer queries about authentication of possible Van Goghs to the Van Gogh Museum.

Read more from Martin's Adventures with Van Gogh blog here.