Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Art of Luxury
news

Antwerp exhibition celebrates its homegrown fashion designers, the influential Antwerp Six

The Belgian city’s MoMu fashion museum celebrates the 40th anniversary of the designers’ international breakthrough

Caroline Roux
13 April 2026
Share
The Antwerp Six, from left to right: Marina Yee, Dries Van Noten, Ann Demeulemeester, Walter Van Beirendonck, Dirk Bikkembergs and Dirk Van Saene. Photo: © Karel Fonteyne

The Antwerp Six, from left to right: Marina Yee, Dries Van Noten, Ann Demeulemeester, Walter Van Beirendonck, Dirk Bikkembergs and Dirk Van Saene. Photo: © Karel Fonteyne

Art of Luxury

Art of Luxury magazine, published twice per year by The Art Newspaper, explores how grande marque fashion, jewellery, travel and lifestyle interact with artists, the art market and the museums and heritage sector.

In the early 1980s, in the Belgian city of Antwerp, a group of fashion students graduated from the Royal Academy of Fine Arts. By the mid-1980s, partly thanks to an event in London in 1986, they became known as the Antwerp Six. Now, an exhibition at the MoMu in their hometown celebrates the 40-year anniversary of that appearance on the London fashion scene.

In fact, Marina Yee, Dries Van Noten, Ann Demeulemeester, Walter Van Beirendonck, Dirk Bikkembergs and Dirk Van Saene were united more by chronology than style. Bikkembergs aimed for a hyper-masculinity; Demeulemeester for a woman who was cool and feminine enough to wear masculine clothes; Van Beirendonck for loud, clubby menswear.

“The name is a paradox. They never functioned as a collective,” says Kaat Debo, MoMu’s director. “Some of them still describe that label as a blessing and a curse. But they were friends.” The show covers a short period from the late 1970s to the mid-1980s when they were forging their identities. “They represent a dream of independence and creative freedom,” Debo says, “and an ecosystem that included photographers, stylists, graphic designers. There was a collaborative energy that pushed things forwards. Then, each of them went on to build very different careers.” Van Bierendonck advised both U2 and Erasure on various tours, and ended up running the fashion department at the academy from 2007 until 2022.

The show is also a homage to Marina Yee, who died late last year, aged 67. “We worked very closely with her and were in contact daily before her death,” says Geert Bruloot, who co-curated the show with Kaat Debo. “Her presence in the exhibition reflects exactly how she wanted it to be.”

  • The Antwerp Six, MoMu, Antwerp, until 17 January 2027
Art of LuxuryFashionAntwerpExhibitions
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Fashioninterview
3 February 2022

What made the doomed Yves Saint Laurent king of the fashion world in the 1960s?

As five major museums in Paris, including the Centre Pompidou and Musée du Louvre, put on shows marking the 60th anniversary of his first collection, the Turin fashion entrepreneur Giorgina Siviero explains the impact of Yves Saint Laurent

Carlotta de Volpi
Exhibitionsnews
19 March 2026

Dalí painting that inspired Schiaparelli dress to be shown in UK for first time

“Necrophiliac Spring” was owned by the Italian fashion designer and led her to create the Tears Dress, one of her most famous creations

Gareth Harris
Adventures with Van Goghblog
28 March 2025

‘Mystery of a masterpiece’: how Van Gogh’s postman portrait ‘disappeared’ from London’s Tate Gallery a century ago

Now owned by New York’s MoMA, the painting of Joseph Roulin is the star loan for a major exhibition opening in Boston

Martin Bailey