Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art of Luxury
news

Latest collection of luxury jewellery house Boucheron inspired by pioneering founder

Frédéric Boucheron created the first necklace without a clasp so that women could put it on unaided

Caroline Roux
23 April 2026
Share
The Spark necklace. Courtesy Boucheron

The Spark necklace. Courtesy Boucheron

Art of Luxury

Art of Luxury magazine, published twice per year by The Art Newspaper, explores how grande marque fashion, jewellery, travel and lifestyle interact with artists, the art market and the museums and heritage sector.

“Frédéric Boucheron was the first jeweller to open on Place Vendôme in 1893, the first to show jewels on velvet panels,” said Claire Choisne, Boucheron’s creative director, at the launch of the house’s latest haute joaillerie collection in February. “And, before that, he created the first necklace to not have a clasp.”

Choisne presents an extraordinary series of works during each couture season: elaborate set pieces that can be split up into several parts. But, on this occasion, honouring Boucheron’s innovative history, she derived her inspiration directly from Frédéric’s oeuvre. “I see the whole collection as a portrait of our founder,” she said.

One necklace, “The Address”, reiterates an original design based on the plan of the Place Vendôme, though Choisne’s is more geometric and sets white gold and baguette diamonds against black lacquer. But it is perhaps “The Spark” that says most about the man. Boucheron opposed the way women were constricted by both corsetry and protocol. With “The Spark”, he at least could offer them a piece of jewellery, shaped like a question mark and incorporating a spring mechanism, that they could put on unaided. Choisne’s version (seen above) has an updated mechanism and more graphically cut stones, but the sense of lightness and freedom, that’s all Frederic’s.

Subscribe to our daily newsletter

Art of LuxuryJewelleryDesign
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Sotheby'sarchive
1 February 2003

Decorative arts today: Where to find that coffee-filter ballgown

Contemporary applied crafts on show at Sotheby’s

Elspeth Moncrieff
Art of Luxurynews
11 May 2026

Artist Bouke de Vries creates sculptural porcelain bottles for Dries Van Noten perfume

London-based Dutch artist uses reassembled broken china fragments to create five unique vessels

Caroline Roux
Art of Luxuryinterview
15 April 2026

‘It was my job to create the view’: US artist Liza Lou on making colourful works in her windowless warehouse

The California-based artist discusses her new body of work, on show at Thaddaeus Ropac in London

Caroline Roux