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Adventures with Van Gogh
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Adventures with Van Gogh
Adventures with Van Gogh
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Amsterdam show to explore Van Gogh’s influence on Hockney

Exhibition of 120 works will reveal a shared fascination with nature, bold use of colour and experimentation with perspective

a blog by Martin Bailey
23 November 2018
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Lucien Clergue, David Hockney in the sunflowers near Arles (1985) Courtesy Atelier Lucien Clergue, via the Fondation Van Gogh Arles

Lucien Clergue, David Hockney in the sunflowers near Arles (1985) Courtesy Atelier Lucien Clergue, via the Fondation Van Gogh Arles

Adventures with Van Gogh

Adventures with Van Gogh is a weekly blog by Martin Bailey, The Art Newspaper's long-standing correspondent and expert on the Dutch painter. Published on Fridays, stories range from newsy items about this most intriguing artist, to scholarly pieces based on meticulous investigations and discoveries. 

Explore all of Martin’s adventures with Van Gogh here.

© Martin Bailey

Incredibly, a painting by David Hockney has now sold for more at auction than any by Van Gogh. Hockney’s Portrait of an Artist (Pool with Two Figures) (1972) was bought for $90m at Christie’s on 15 November. The most expensive work by Van Gogh was his Portrait of Dr Gachet (1890), which fetched $83m in 1990. That was a long time ago, and were the portrait to come on the market now it would, of course, go for very much more.

With astute timing, the Van Gogh Museum announced its Hockney-Van Gogh exhibition a few days before the Pool painting went under the gavel. Subtitled The Joy of Nature, the Amsterdam show that runs from 1 March to 26 May 2019 will examine the influence of the Dutch master on Britain’s most important living artist.

Van Gogh, The Harvest, June 1888, Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) Courtesy of the Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

David Hockney, Woldgate Vista, 27 July 2005 © David Hockney. Photo: Richard Schmidt

With 120 works, the show will explore both artists’ fascination with nature, their use of strong colours and their experimentation with perspective. Van Gogh worked under the strong sun of Provence, whereas Hockney has in recent years lived in the more subdued light of the Yorkshire Wolds in north-east England.

Three years ago I spent a fascinating hour or so interviewing Hockney on Van Gogh. This was for the catalogue of the exhibition on David Hockney: The Arrival of Spring, which was held at the Fondation Van Gogh Arles in 2015-16.

David Hockney, La chaise et la pipe de Vincent 1888 (1988), Yolande Clergue de la Fondation Vincent van Gogh Arles © David Hockney. Courtesy the Fondation Vincent van Gogh Arles

Fortunately it was summer, so Hockney thoughtfully left the garden door of his London studio open to let in the fresh air. Hockney enjoys his cigarettes, almost as much as Van Gogh with his pipe. Sitting at his dining table, Hockney, then 78, was relaxed and lively—and he really does love and know his Van Gogh.

Hockney particularly admires the Dutchman’s determination: “Van Gogh was obsessed with painting, but not with anything else,” he said. “Gauguin went to the brothel, but Van Gogh was not that interested. Painting was his life; he had to do it. What time was there left for anything else but sleep?”

The publicity for the coming Amsterdam exhibition ends with a quote from my Hockney interview: “The world is colourful. It is beautiful, I think. Nature is great. Van Gogh worshipped nature. He might have been miserable, but that doesn’t show in his work. There are always things that will try to pull you down. But we should be joyful in looking at the world.” 

  • Listen to our exclusive podcast interview with David Hockney

Martin Bailey is a leading Van Gogh specialist and special correspondent for The Art Newspaper. He has curated exhibitions at the Barbican Art Gallery, Compton Verney/National Gallery of Scotland and Tate Britain.

Martin Bailey’s recent Van Gogh books

Martin has written a number of bestselling books on Van Gogh’s years in France: The Sunflowers Are Mine: The Story of Van Gogh's Masterpiece (Frances Lincoln 2013, UK and US), Studio of the South: Van Gogh in Provence (Frances Lincoln 2016, UK and US), Starry Night: Van Gogh at the Asylum (White Lion Publishing 2018, UK and US) and Van Gogh’s Finale: Auvers and the Artist’s Rise to Fame (Frances Lincoln 2021, UK and US). The Sunflowers are Mine (2024, UK and US) and Van Gogh’s Finale (2024, UK and US) are also now available in a more compact paperback format.

His other recent books include Living with Vincent van Gogh: The Homes & Landscapes that shaped the Artist (White Lion Publishing 2019, UK and US), which provides an overview of the artist’s life. The Illustrated Provence Letters of Van Gogh has been reissued (Batsford 2021, UK and US). My Friend Van Gogh/Emile Bernard provides the first English translation of Bernard’s writings on Van Gogh (David Zwirner Books 2023, UKand US).

To contact Martin Bailey, please email vangogh@theartnewspaper.com

Please note that he does not undertake authentications.

Explore all of Martin’s adventures with Van Gogh here

Adventures with Van GoghExhibitionsVincent van GoghVan Gogh MuseumDavid HockneyVincent van Gogh Foundation
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