Giorgio Bonsanti


Book review: Kirsh and Levenson's "Seeing through paintings: physical examination in art-historical studies"

A popular, non-technical explanation of the physical composition of paintings is not easy

Leonardo da Vinci

The director of one of Italy’s top restoration laboratories responds to denunciations of work carried out on Leonardo's Last Supper

Bonsanti defends the twenty-year project that hoped to breathe life back into the wreck of one of Leonardo's masterworks

Conservation & Preservation

For the exhibition of Renaissance architectural models at the Palazzo Grassi in Venice the whole building has been made a controlled environment

A marriage of science and spectacle