Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Exhibitions
news

eL Seed brings his brand of contemporary calligraphy to London for first UK show

French-Tunisian artist’s 'tabula rasa' paintings at Lazinc will challenge “deep-seated preconceptions” about Arabic script

Gareth Harris
26 December 2018
Share
eL Seed, Traces, Douz, Tunisia courtesy eL Seed

eL Seed, Traces, Douz, Tunisia courtesy eL Seed

The French-Tunisian street artist eL Seed will unveil new works, and his latest twist on depicting Arabic script, in his first UK solo show due to launch at Lazinc Gallery in Mayfair next month (Tabula Rasa, 25 January-9 March).

Paris-born, Dubai-based eL Seed, whose practice centres on transforming the Arabic language, is known for his elaborate calligraphic compositions emblazoned across streets and public spaces in New York, Paris and Cairo, where he created a massive mural spread across almost 50 buildings in the Manshiyat Nasr district (Perception, 2016).

In his latest works—a series of new paintings—eL Seed further adapts Arabic calligraphy, presenting curved and looped forms, tearing the surface calligraphy “to reveal phrases and imagery below, which materialise slowly and differently with each viewing”, says the artist on Instagram.

“In contrast to eL Seed’s usually polished and perfected canvases, the works at Lazinc appear with an unfinished aesthetic,” according to a project statement. Tabula rasa, a Latin phrase usually translated as “blank slate”, was expounded by the 17th-century philosopher John Locke who said that the mind was like a “white paper, void of all characters” with “all the materials of reason and knowledge” derived from experience.

eL Seed adds: “For this exhibition, I have developed my process, stripping down the works, in an effort to access my ‘tabula rasa’… in relation to my canvases, I have taken the idea of the tabula rasa as a starting point with the aim to alter deep-seated preconceptions that are commonly held about Arabic script and culture… guests are invited to reconsider all that they previously thought about Arabic and immerse themselves in the calligraphic experience.” He has added the hashtag #ihopetheQueencomes

eL Seed courtesy Christina Dimitrova

ExhibitionsMiddle EastGraffitieL SeedLazincCairocalligraphy
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Review
10 March 2017

The sacrament of scripts: on calligraphy in Islamic art

By Jane Jakeman
Obituariesnews
7 August 2019

Kamal Boullata—Palestinian master of abstract art and Arabic calligraphy—dies, aged 77

Jerusalem-born artist who lived 50 years in exile was a pioneer of the hurufiyya movement and one of the first to write about Palestine's art history

Aimee Dawson
Art Dubai 2018news
20 March 2018

Artist eL Seed makes his mark on Dubai

A 30m stainless steel calligraphic work will be revealed in front of Dubai Opera

Anna Seaman