Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Conservation & Preservation
news

Warship figureheads restored ahead of opening for new Plymouth arts complex

Royal Navy statues are being made shipshape and ready for installation at The Box, opening in 2020

Emily Sharpe
26 October 2018
Share
A conservator works on “King Billy”, the figurehead of the 1830s HMS Royal William Courtesy of Orbis Conservation

A conservator works on “King Billy”, the figurehead of the 1830s HMS Royal William Courtesy of Orbis Conservation

Meet Royal William, also known as “King Billy”. At more than four metres tall, he is the largest of five historic ships’ figureheads undergoing treatment ahead of their installation at The Box, a new arts and heritage complex that is due to open in Plymouth in 2020. On loan from the city’s National Museum of the Royal Navy, the 19th-century wooden statue of William IV, which once adorned the 1830s 120-gun warship HMS Royal William, is among a group of 14 figureheads that will be displayed at the new centre.

All of the five statues that are being treated in the London studio of Orbis Conservation require full conservation, consolidation and restoration work. In the 1950s and 1960s, they were coated with glass-reinforced plastic, which not only masked original, finely carved details, but also trapped remaining water in the timber, causing it to shrink and deteriorate.

The team used sonic tomography—a non-invasive technique used to assess the internal structure of trees—to analyse the structural integrity of the timber in areas not easily accessed. The analysis revealed that Topaze, the figurehead from the 1850s 51-gun warship HMS Topaze, which ferried two Easter Island statues now in London’s British Museum to England, was in particularly bad shape as most of its wooden core was rotten. They were able to remove the rotten core while preserving the outermost timber shell with its original carved detail. Orbis is also working on a colour scheme for the figureheads based on historical research, paint analysis and expert opinions.

Conservation & PreservationRestorationUnited Kingdom19th centuryArt history
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Conservation & Preservationarchive
30 September 1998

A campaign is underway to raise funds for the conservation of Sir George Gilbert Scott’s metalwork masterpiece, the Hereford Screen

Since its removal from Hereford Cathedral over three decades ago, it has languished in store, slowly deteriorating.

Martin Bailey
Conservation & Preservationnews
16 December 2021

True mettle: restoring Hampton Court Palace's glorious but scarred Baroque iron screens

Reviving 17th-century Tijou screens commissioned by Protestant monarchs William and Mary means undoing decades of damage and haphazard repairs

Maev Kennedy