Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Art of Luxury
Adventures with Van Gogh
Venice Biennale
Acquisitions
news

Mass Moca breathes new life into Taryn Simon's mourning sculptures

The Pipes were originally made for performances dealing with death and mourning but will now serve less specific purposes

Gabriella Angeleti
30 March 2021
Share
Pre-installation view of Taryn Simon, The Pipes (2016/2021) Will McLaughlin

Pre-installation view of Taryn Simon, The Pipes (2016/2021) Will McLaughlin

The Massachusetts Museum of Contemporary Art (Mass MoCA) in North Adams has acquired The Pipes (2016-2021), a collection of 11 monolithic concrete sculptures by the multidisciplinary artist Taryn Simon.

They were originally made for her performance An Occupation of Loss at the Park Avenue Armory in New York in 2016, which investigated mourning customs and the “physical and structural markings of loss that mankind has practiced since Neanderthal times”, Simon told The Art Newspaper in a previous interview.

The sold-out 2016 performance featured “professional mourners” reciting grieving rituals from Kyrgyzstani hymns to Tamil oppari songs inside small rooms at the base of the sculptures, which were inspired by circular structures known as “towers of silence” in the Zoroastrian religion, or pits designed for human decomposition. The works were made in collaboration with the architecture firm OMA/Shohei Shigematsu and also imagined as visible “inverted wells”, according to Simon. 

Installation view of An Occupation of Loss by Taryn Simon at Park Avenue Armory (13-25 September 2016) © Naho Kubota

But since the performance closed, Simon has “thought about how to recontextualise the work”, says the Mass MoCA curator Alexandra Foradas, who also worked with Simon on her exhibition A Cold Hole: Assembled Audience at the museum in 2018. While performances will still be held within the sculptures, which produce atmospheric and echoing sounds when activated, the programming will be “less tightly prescribed to a specific theme”, she adds.

The previous installation of the works encouraged visitors to enter the sculptures and produce their own sounds when performances were dark, but recorded mournings still subtly reverberated throughout the Wade Thompson Drill Hall. Installed in an open field at Mass MoCA, the works will now serve as a “place for sonic exploration, quiet, jubilation, stargazing or whatever people need from it after a tumultuous year”, Foradas says. The modular structures have also been shrunk from 48 ft-tall to around 22 ft. 

A group of local musicians will perform inside the works when the installation opens to the public on 29 May, coinciding with the opening of a new long-term Skyscape installation by James Turrell housed within a colossal water tank on the museum campus.

Subscribe to our daily newsletter

AcquisitionsMassachusetts Museum of Contemporary Art Taryn Simon
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter subscribe
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Massachusetts Museum of Contemporary Art news
16 December 2020

Mass MoCA will expand artist-in-residency programme as artists continue to struggle amid the Covid-19 pandemic

The museum has received a $500,000 grant from the Andrew W. Mellon Foundation and plans to collect public and private donations for the initiative

Gabriella Angeleti
Museums & Heritagenews
16 November 2018

Mass Moca adds another decade to its long-running Sol LeWitt show

The museum celebrates the tenth anniversary of the installation, which is still "full of surprises"

Victoria Stapley-Brown and Helen Stoilas
Sol LeWittnews
11 March 2022

Generational continuum: Massachusetts Museum of Contemporary Art rejuvenates Sol LeWitt’s wall drawings

Eight of the 105 wall drawings in the sweeping retrospective, slated to be on view until 2043, will be restored as part of the project

Gabriella Angeleti