The Night Watch

Rijksmuseum welcomes Rembrandt's €175m 'The Standard Bearer' with free entry on Saturday

The self-portrait is considered the final major work by the Dutch artist to enter a public museum from private owners—but sparked controversy after it was acquired with public funds during the pandemic

Rembrandtanalysis

Trimmed, splashed and slashed: the anatomy of Rembrandt's The Night Watch

As the Rijksmuseum prepares to restore the Dutch master’s most-celebrated painting in full view of the public, we look at its chequered conservation history

Supported byRijksmuseum