Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Sam Francis
archive

Sam Francis’s own paintings at Gagosian

Works kept by the artist are to be exhibited in a commercial gallery for the first time

The Art Newspaper
1 December 1996
Share

Gagosian Gallery has with its usual acumen managed to secure some highly saleable pictures on show until 25 January 1997: a group of large-scale abstract paintings and works on paper by Sam Francis (shown here in his Santa Monica studio in 1977 with a picture like those being exhibited at present ), an artist particularly admired and collected by West Coasters. All were kept until the artist’s death in 1994 and many have never been shown in a commercial gallery before, a fact that will whet the appetite of the collectors. The illustrated catalogue has an introduction by Pierre Schneider, veteran art critic of L’Expres magazine and cataloguer of the paintings Sam Francis produced after settling in France in 1950. Francis was given the accolade of an exhibition at the Jeu de Paume in Paris last year and a large touring show of his life’s work is currently being prepared by the Museum of Contemporary Art, Los Angeles.

Sam FrancisExhibitionsCommercial galleriesArt marketGagosian Gallery
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Arshile Gorky archive
31 March 2002

Arshile Gorky gets personal at Gagosian Gallery with portraits of family

None of the 33 works are for sale

The Art Newspaper
Art marketarchive
1 December 2008

Institutions are increasingly likely to loan works of art to the most powerful private galleries

Public art for private gain?

Lindsay Pollock
Curatorsarchive
31 May 2010

The rise of 'curators' in commercial spaces blurs the lines of the art world, with galleries offering non-selling and historical shows that mimic a museum

“Here’s this unbelievable stage... why make it just about money?”

Linda Yablonsky
Francis Naumannarchive
30 September 2001

What's on in New York: From Neo-Classicism to Pop Art

A Rothko double-header at PaceWildenstein and Washburn, Lichtenstein’s brushstrokes legacy at Mitchell-Innes & Nash while Gagosian installs “Brushstroke” at the Seagram building Plaza

The Art Newspaper