Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Restoration
archive

Less is more with Lauder restoration

Several works subject to restoration paid for by Estée Lauder

The Art Newspaper
30 September 2000
Share

The restoration of Ridolfo del Ghirlandaio’s “Venus and Cupid” from the Galleria Colonna in Rome has stripped the goddess of her sumptuous tunic. (Above, the painting before and after cleaning.) The clothing had been added by an unknown artist catering to prudish sensibilities in the eighteenth century. The cleaning was paid for by Estée Lauder who are funding the restoration of several paintings in Italian museums. The cosmetics company has already paid for the restoration of Tintoretto’s “Venus, Vulcan and Cupid” and Titian’s “Venus grooming Cupid” and “La Bella”—all from Florence’s Pinacoteca Palatina. Next up is Raphael’s “Fornarina” from Rome’s Palazzo Barberini

Originally appeared in The Art Newspaper as ‘Less is more with Estée Lauder'

RestorationCorporate sponsorsItalian ArtLauder Initiative
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Leonardo da Vinciarchive
1 December 2001

Now you see it, now you don’t: restorers wash Leonardo drawing away

Catastrophe strikes as restorers use routine conservation method

The Art Newspaper
Newsarchive
30 September 1992

The Uffizi’s “Wounded warrior” is a Greek original

It was previously believed that the statue was a copy

The Art Newspaper
Restorationarchive
1 June 1992

Banca Toscana to sponsor restoration of Cimabue’s altarpiece “Maestà”

The structure that replaced the wooden support has caused the 13th century Madonna to rupture

The Art Newspaper
Leonardo da Vinciarchive
31 March 2013

Leonardo copy undergoes restoration at Musée National de la Renaissance

A little-known copy of Leonardo’s The Last Supper by Marco d’Oggiono will get a thorough clean

Gareth Harris