Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Exhibitions
news

Three to see: Vienna

From dog bites at Viennacontemporary to Pop portraits at the Albertina

Gareth Harris
23 September 2016
Share

The second edition of the Viennacontemporary fair at the Marx Halle (until 25 September) continues to focus on Eastern European and younger art. The Serbian artists’ collective Sok Zadruga presents a series of drawings by Slobodan Stosic, Of Dogs and Dogs (2016), priced at €400 each, which show individuals biting themselves (the artist explains that the works were inspired by press reports about people claiming insurance for fictitious dog bites). Local gallery Elisabeth & Klaus Thoman is, meanwhile, selling two limited edition blankets called Plaid (dots) by John Armleder. Fans of the veteran Swiss artist can bag a blanket for €660 (edition of 100 for each) ahead of an exhibition dedicated to Armleder at the Vienna gallery (5 November-22 December).

The organisers of a 60-strong survey of self-portraits (5 November) by the US artist Jim Dine at the Albertina Museum (I Never Look Away, until 2 October) say that “the preoccupation with his own portrait runs like a thread through the artist’s comprehensive and highly versatile oeuvre”. The journey through Dine’s life is plotted in the exhibition via unabashed images such as the nude Self-portrait in Vermont (Spring, 1979) and a triptych showing Dine at 80 in Paris (2015-16).

The Leopold Museum continues to make the best of its major asset: 42 paintings and 187 works on paper by the local artist, and early 20th-century superstar, Egon Schiele. A new presentation of the collection, entitled Self-abandonment and Self-assertion, juxtaposes insightful biographical information with graphic self-portraits such as Seated Male Nude (1910) and landscapes including Setting Sun (1913). A lengthy wall caption describes the controversy over the 1912 Portrait of Wally, which was the subject of a 13-year restitution battle.  

Three more to see in Vienna: From Alexandria to Abu Simbel, Egypt in Early Photographs 1849-75 at Kunsthistorisches Museum (until 25 September); Nathalie Du Pasquier: Big Objects Not Always Silent at Kunsthalle Wien (until 13 November); Yto Barrada, The Sample Book at The Secession (until 1 November).

ExhibitionsArt fairs
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

The Year Ahead 2023preview
3 January 2023

The must-see exhibitions in 2023: from the biggest ever show of Vermeer paintings to a history of hip-hop

We take a look at the most exciting shows around the world this year

Justin Kamp, Martin Bailey, Andrew Pulver, J.S. Marcus, Chloë Ashby, Hannah McGivern and James Imam
National Portrait Gallerynews
18 October 2024

Jenny Saville and Edvard Munch headline 2025 programme at London's National Portrait Gallery

The gallery will also bring Cecil Beaton’s fashion photography and cult magazine The Face to the fore

Gareth Harris
Exhibitionspreview
28 February 2025

Vienna exhibition of Egon Schiele’s late works hints at what could have been

The Austrian artist tragically died aged 28 but left behind 400 paintings and thousands of works on paper, a selection of which are going on show at the Leopold Museum

J.S. Marcus
Exhibitionspreview
6 February 2018

Museums pay tribute to Vienna’s visionary voyeurs, Klimt and Schiele, on 100th anniversary of their deaths

The artists are the subject of exhibitions across the Austrian capital—and beyond

David D'Arcy