Frieze New York diary: Alicia Keys, a bare-bottomed banker and more gossip

The musical couple Swizz Beatz and Alicia Keys  (left) with  Rees Visionary Award-winning artist Toyin Ojih Odutola Madison McGaw/

The musical couple Swizz Beatz and Alicia Keys (left) with Rees Visionary Award-winning artist Toyin Ojih Odutola Madison McGaw/

Belle of the ArtBall

The comedian Michelle Wolf made headlines with her take-no-prisoners performance at the White House Correspondents’ Association Dinner in Washington, DC, on Saturday, but comic and film star Chris Rock made a softer splash that night at the Amref ArtBall in Brooklyn. Rock was a surprise guest at the event, which raised $350,000 for the Nairobi-based non-profit Amref Health Africa, joining A-listers including honorary co-host and songstress Solange Knowles and the music-world power couple (and art collectors) Swizz Beatz and Alicia Keys. Knowles’s co-host, the New York-based gallerist Jack Shainman, calls Keys a friend, but remains starstruck, telling us: “I must say I am still in awe of her every time I see her.” But the real star was the Nigerian-born artist Toyin Ojih Odutola, represented by Shainman, who was given the Rees Visionary Award. Named after the non-profit’s co-founder Tom Rees, the prize is presented to artists “bringing forth critical African cultural and transcultural perspectives”.

Have a beef? Reach out to your congressional representative at a pop-up telephone booth at Frieze Casey Fatchett

Representational art

If you’re mad as hell at the state of the world and you’re not gonna take it any more—but you need to take in some art while you do something about it—why not contact your congressional representative via a special phone booth on-site at Frieze? The Ring Your Rep booth, provided by the Standard hotel chain, gives you a direct line to the US Capitol’s switchboard, and even provides a simple call script: “My name is ______ and I’m calling from ________. I want to encourage (INSERT REPRESENTATIVE’S NAME) to support this (ISSUE/BILL/LAW).” The Standard’s website stresses that you can “get vocal about whatever issue you see fit at no cost to you whatsoever”. It does not, however, consider the possible price of offending your fellow fair-goers.

This dress from the designer Guo Pei’s 2017 Spring/Summer collection will be in the Met’s show ALAIN JOCARD/AFP/Getty Images

Catholic confessions

New Yorkers of all religious persuasions are eagerly anticipating this year’s Costume Institute blockbuster, Heavenly Bodies: Fashion and the Catholic Imagination, which opens at the Metropolitan Museum of Art next week (10 May-8 October). The exhibition, which includes more than 50 fabulous Catholic vestments drawn from the Vatican’s Sistine Chapel Sacristy—a whopping 15 popes’ worth—is enough to make hardened atheists get all godly. The show was originally intended to explore the links between fashion and all five major world religions, according to the UK newspaper the Observer. “But as time went on, we realised that there was a huge imbalance between designers from the Catholic tradition and those from the other faiths,” the Costume Institute’s head curator, Andrew Bolton, who himself was raised Catholic, confessed to the publication. Designers of the faithful flock whose work is represented in the show include Gianni Versace, Jeanne Lanvin and Christian Delacroix.

“Solid and pretty voluptuous”: Charles Ray with his new work depicting his banker Gareth Harris

Model, muse and moneymaker

Do you think bankers are square? Then head to Matthew Marks Gallery on West 22nd Street in Chelsea for a solo show of new works by the US artist Charles Ray (3 May-16 June), including a nude sculpture of the artist’s banker. It’s a warts-and-all piece (literally), from the mole on her cheek to her cellulite-mottled thighs. Ray was in fine form during the exhibition’s VIP opening, when he explained that she agreed to model for the work, Reclining Woman (2018), after dining with him. “She is solid and pretty voluptuous”, he quipped, leading us to wonder if he meant the banker or the work. She is “like a sphinx”, he added. Ray also vouched for the work’s longevity. “After the nuclear war we’re about to get into has started, we’ll all be dead—but she’ll still be here.”


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