Lights, tree, action as Michael Craig-Martin's Connaught Christmas tree unveiling coincided with Thanksgiving

The conceptual artist dazzled with a glittering rainbow-coloured display

The Connaught Christmas Tree 2018 Courtesy of the Connaught

The Connaught Christmas Tree 2018 Courtesy of the Connaught

The Buck stopped here

The Buck stopped here is a weekly blog by our contemporary art correspondent Louisa Buck covering the hottest events and must-see exhibitions in London and beyond

Appropriately for an artist who grew up and was educated in the USA- albeit settling in England in the 1960s - the unveiling of Michael Craig-Martin’s specially designed Christmas tree outside Mayfair's Connaught Hotel last Thursday 22 November also coincided with Thanksgiving. However the vibe was strictly Yule as Sir Michael flicked the switch on his magnificent nine-metre high Norway Spruce which sprang into an ever-changing display of illuminated colour.

Over an illustrious career spanning nearly five decades, Craig-Martin has created wall drawings covering entire buildings, planted giant metal sculptures on the grand lawns of Chatsworth House – including one of a pink stiletto shoe – and notoriously once exhibited a glass of water as his 1971 work An Oak Tree. But before last week’s ceremony the artist also freely admitted that the Connaught Christmas tree had been by far his most challenging project yet.

Despite his desire to distill a Christmas tree down to its two most essential elements: “the tree itself and the lights,” the act of making these two factors work to his satisfaction was by no means simple. First off, the 40 year old spruce had to be meticulously selected from a specialist cultivator for its requisite shape and density of needles and then, in order to engulf the tree in what Craig-Martin describes as “a full palette of ever-changing colours” of sufficient intensity , it was necessary to wrap it from top to bottom using a single strand of 12,000 bulbs. A complex computer programme also had to be devised in order to synchronise the evolving, blending flushes of colour and achieve Craig-Martin’s ultimate aim of “a tree that was dynamic.”

Even the turning-on process wasn't quite what it seemed. The analogue switch was just there for show, and after a shouted countdown the tree sprang into illuminated, dynamic life courtesy of a concealed assistant firing it up from a lap top. But there’s no doubt that the shifting rainbow light-show offered by this very unique Christmas decoration was certainly worth all the trouble.  


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