Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Museums & Heritage
news

Velázquez-inspired sculptures spark outrage in Venice

Local heritage group decries the "biennialisation of the city" after gallery paid a fee to stage the Manolo Valdés installation

Gareth Harris
2 April 2024
Share
Manolo Valdés's Las Meninas a San Marco (2024)

Courtesy the artist and Contini Art Gallery

Manolo Valdés's Las Meninas a San Marco (2024)

Courtesy the artist and Contini Art Gallery

Visitors to the 60th Venice Biennale this month will encounter a dramatic display in St Mark’s Square, which has been criticised by a local heritage group. The public art project, by the Spanish artist Manolo Valdés, comprises 13 bronze sculptures lined up near the Doge’s Palace in Venice’s historic centre (until 15 June). The project, entitled Las Meninas a San Marco, is inspired by Velázquez’s celebrated 1656 painting Las Meninas and is overseen by the Venice-based Contini Art Gallery.

“[Valdés] who has been collaborating with the Contini Art Gallery since 2016, has always shown a deep sensitivity in decontextualising subjects from famous works of the calibre of Velázquez, Picasso, and Matisse, transporting them into a sculptural three-dimensionality, thus giving them a new identity,” a gallery statement says.

Diego Velázquez's Las Meninas (1656)

But the heritage organisation Italia Nostra-Venezia criticised the move, saying in a statement: “The surprise of seeing a series of black effigies recalling Las Meninas in Piazza San Marco has not been welcomed by many Venetians: it reads like yet another imposition, yet more violence on an already tortured body.

“This extemporaneous use, or exploitation, of the city is part of a phenomenon that has taken hold for decades now: the ‘biennialisation of the city’ … Not everything is for sale in Venice and especially not our cultural heritage, which has made us who we are, and is our identity.”

In a statement, Contini Art Gallery says that the display is presented in collaboration with the Municipality of Venice (Comune di Venezia), the Venice superintendent of fine arts at the Municipality of Venice and Vela S.p.A, a subsidiary company of the city of Venice. When the exhibition ends, one of Valdés’s sculptures will be donated to the city of Venice.

According to the publication Venezia Today, the gallery paid €122,000 to Vela S.p.A. to host the show; Contini Art Gallery declined to comment regarding the fee and the Comune di Venezia did not respond to a request for comment.

The Valdés display is also sponsored by the Italian finance company Banca Ifis, the insurance company Assicurazioni Generali, and the publisher Gruppo Editoriale Italia. Two other works by Valdés, Mariposas and Diadema, are also on show in Venice near the Arsenale.

Museums & HeritageVenice Public artDiego VelázquezContemporary artSculpture
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Disasters & destructionnews
30 October 2018

Venice museums reopen after worst floods in 10 years

High tide may have been prevented by barrier that is still under construction

Gareth Harris
Venice Biennale 2019review
10 May 2019

We've chosen the best of the art in Venice, now here's the worst

We’ve seen a lot of exhibitions in the city so you don’t have to

Cristina Ruiz
Venice Biennale 2019feature
3 May 2019

How to survive the Venice Biennale, according to the art world

It may be the most prestigious art event in the world, but be warned—it is also the most gruelling

Gareth Harris
Venice news
3 March 2021

Billionaire collector Nicolas Berggruen takes steps to buy historic Venetian palace and turn it into a cultural thinktank

If the sale goes ahead, La Casa dei Tre Oci will be the Berggruen Institute's space for its European programming with plans to partner with major museums such as Tate and MoMA

Gareth Harris