Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Frieze London 2024
interview

‘Many of the works I own have been swapped with fellow artists’: Photographer Campbell Addy on how he's assembling his growing art collection

Addy discusses the close connection he often has to the artists he collects—and why he's no great fan of art fair chatter

Kabir Jhala
11 October 2024
Share
Campbell Addy started out in fashion photography, but is now also a painter Paolo Roversi

Campbell Addy started out in fashion photography, but is now also a painter Paolo Roversi

The British-Ghanaian photographer Campbell Addy is best known for his stylish images of today’s Black cultural vanguard— from Naomi Campbell to Beyoncé, you name them, he’s shot them.

Since cutting his teeth in fashion, Addy has expanded his reach into a number of other creative pursuits. Earlier this year, after a five-year hiatus, he revived his print publication Niijournal, focused on alternative conversations around Black and queer identities. The latest issue, subtitled Pride?, was prompted by an anti-LGBTQ+ bill passed in February in the Ghanaian parliament, which seeks to further curtail rights and increase persecution of non-heterosexual people and their supporters.

Addy has also broken into the art world. After debuting his paintings last year at Saatchi Gallery in London, he received a solo exhibition, I Heart Campbell, at 180 Studios, in which more of his paintings were shown alongside eight years of his photographs and films. With so many feathers in his cultural cap, it is unsurprising that Addy is also the owner of a growing art collection.

Chris Ofili’s No Woman, No Cry PA Images/Alamy Stock Photo

The Art Newspaper: How quickly do you decide to buy a work of art?

Campbell Addy: I usually decide almost instantly. Most of the artwork I’ve bought is by fellow contemporary artists, either because I’ve been part of the process, was present before the work was created, or because I’m drawn to pieces that differ from their usual style yet maintain a distinct aesthetic.

What was the first work of art that you ever bought?

It was a black-and-white monochrome piece by the Baltimore artist Devin N. Morris.

What was the last work you bought?

It was a photographic piece by Elliott Jerome Brown Jr.

What do you regret not buying when you had the chance?

I don’t really have any regrets. Many of the works I own have been swapped with fellow artists, so they either include a painting of mine or someone else’s.

If you could have any work from any museum in the world, what would it be?

Chris Ofili’s No Woman, No Cry (1998), currently at the Tate Britain.

Where do you like to eat and drink in London?

I love Korean restaurants, specifically Tohbang in Clerkenwell.

Do you have any parties lined up for Frieze week?

Haha, no, I’m a bit of a homebody. Plus, it’s nearly winter, and the weather is getting quite cold. I prefer to spend this time indoors.

What’s your least favourite thing about art fairs?

Listening to people’s conversations about art—it feels like being back at Central Saint Martins, doing a crit all over again!

Where do you go in London to get away from it all?

I love going to the park opposite my home.

South London Gallery, one of the venues that Addy recommends to people visiting London for the first time Courtesy of South London Gallery

What tip would you give to someone visiting London for the first time?

It depends on the time of year, but I’d suggest visiting galleries and exploring all the free exhibitions. From the South London Gallery to the Tate Modern, the V&A, and the Natural History Museum, there’s always a place to experience great art while taking shelter from the weather. And if you’re a film enthusiast, check out the Prince Charles Cinema [in Leicester Square] for some classic films.

Frieze London 2024Collector's EyeInterview
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Collector's Eyeinterview
8 October 2024

'I have this problem where I buy a lot': Selim Bouafsoun on the art that excites him

The Tunisian-born financier is on a mission to put North African art on the map

Alexander Morrison
Frieze London 2024interview
10 October 2024

'I think things happen for a reason': Maro Itoje, co-founder of Akoje Gallery, on why he's not afraid of missing out

The England rugby player and gallerist discusses having no regrets, and why he's on a mission to raise awareness about Black history

Carlie Porterfield
Collector's Eyeinterview
10 October 2023

‘I’m looking for abstract voices, with a new take on the world’: Liesl Fichardt on her collection and top tips for visiting Frieze

The international lawyer, who is a member of the Contemporary Art Society’s Frieze acquisitions committee, on her love of blue paintings—and Pimlico pastries

Alexander Morrison
Frieze Los Angeles 2024interview
28 February 2024

‘The most unusual place I've installed a piece? Forty feet up in a tree’: John Quinn on his inside-out approach to art

The high-flying lawyer, who lists contemporary art as one of his passions, has opened a Los Angeles outpost of Croatia's Museum of Broken Relationships

Benjamin Sutton