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Artist, DJ and musician to hold rave at Art Basel

Event includes recording of Eleanor Roosevelt reading the Universal Declaration of Human Rights

Alexander Morrison
19 June 2026
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Thomas Bangalter, Julian Charrière and Rampa have organised the epic Warehouse Artefacts event on Saturday at Art Basel Gerrit Piechowski

Thomas Bangalter, Julian Charrière and Rampa have organised the epic Warehouse Artefacts event on Saturday at Art Basel Gerrit Piechowski

A good number of people around Art Basel will be wanting to let loose come Saturday, as they see off one of the most hectic weeks in the industry calendar. It’s just as well, then, that a massive, warehouse-style rave is set to take place that day, slap bang in the middle of the Messe Basel site.

The event, Warehouse Artefacts, is a project that “blurs the boundaries between installation, theatre, party and even social experiment,” explains the artist Julian Charrière, who has conceived the event with the musician (and formerly one-half of Daft Punk) Thomas Bangalter and the DJ Rampa. Taking place in the 3,000 sq. m Hall 1.1 South, it will open at 11am initially as an installation—open to all Art Basel ticket holders until 5pm—featuring flickering lights and fog as well as sounds relating to the different components of house music: for example “the bass drum of a Roland TR-808 stretched beyond its original duration hundreds of times, transforming this signal into almost a material presence”, Charrière says.

The project, presented by the nightclub Nordstern Basel in co-operation with Art Basel and Fondation Beyeler, has a clear poignancy to it. At the centre of the space will be a sealed glass monolith, in which an analogue tape machine will play out the Universal Declaration of Human Rights as read by the former First Lady of the US, Eleanor Roosevelt. “To look back at politically difficult times and witness the hopeful efforts to better the world is something I feel is intrinsic and important, in a present that often feels divisive and uncertain,” Charrière says. By pairing the declaration with the foundational principles of the underground dance music scene, a release says, Warehouse Artefacts also “reflects on how meaning and community are produced during moments of crisis”.

At 6pm, the space turns into a rave, led by a set by Rampa and a special guest—for which all 3,400 tickets have been sold—before more hardened revellers head on to “after.art.klub” at Nordstern Basel. Some of the finer details remain to be seen, but one thing is for sure: it is likely to be one of the wilder nights in Art Basel history.

• Warehouse Artefacts, Messe Basel, 20 June

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