Eliot W. Rowlands

Worth the pilgrimage: on Francesco de Mura at Vassar College

Much of this long-neglected Baroque artist's work is lost, but what remains is worth another look

At his best, he was without error: Eliot Rowlands on Andrea del Sarto in New York

Two shows in New York focus on the achievements of the Renaissance master


How was the Brancacci Chapel originally seen?

Florence’s early Renaissance showpiece revolutionised painting—but how was it seen, and used, at the time?