Mostafa Heddaya

Joaquín Torres-García, mapped and remapped

Acquavella Galleries’ exhibition of the Uruguay-born Modernist is a primer for the uninitiated and a treasury of rarely seen gems

Adjusted to fit: on Louise Lawler at MoMA

Lawler's work proves that conditions of display have a heavy bearing on how we see art and its history


That perpetually penniless savant: on Richard Bellamy and Eye of the Sixties

A biography of the art dealer is an exemplary work of journalism and research

Dis-affecting: Mostafa Heddaya on the Ninth Berlin Biennale

The show’s curators give false prominence to simple provocations