Orit Gat

A weak sketch of influence: on John Latham at the Serpentine Galleries

The influential artist's work does not inspire the richest ideas in the exhibition

Looking up from the couch: on Mark Wallinger's show at the Freud Museum in London

The artist makes subtle changes to Freud’s study that speak to larger issues

Work of constant change: Orit Gat on Ed Atkins at The Kitchen

The artist's latest work is fragmented and difficult, but also engrossing and rewarding

'You don't need a gallery to show ideas': Orit Gat on Seth Siegelaub at the Stedelijk

An exhibition in Amsterdam devoted to the dealer's work explores his curatorial ideas

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You cannot hold this: Orit Gat on Laure Prouvost

The Turner Prize-winning French artist’s latest show productively frustrates meaning

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Mostly, you just stand in queues: Orit Gat on Carsten Höller’s Hayward exhibition

Guidelines, warnings and instructions are everywhere in Höller’s latest show

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Art critics need to get serious if they want to thrive online

The long read could counteract superficial reviews that focus on search engines or sales

Artnews

Paul Chan: not much to see, but something to think about

The Hugo Boss Prize winner's exhibition at the Guggenheim is spare but smart