The Buck stopped here

The Buck stopped here is a weekly blog by our contemporary art correspondent Louisa Buck covering the hottest events and must-see exhibitions in London and beyond

The mood is serious and celebratory at the Turner Awards – with a sartorial twist

Author Chimamanda Ngozi Adichie, Turner Prize winner Charlotte Prodger and Tate director Maria Balshaw on stage at the 2018 Turner award dinner Courtesy of the Tate

The mood was celebratory but also serious at last night’s Turner Prize Award dinner in the Tate Britain’s Duveen Galleries. This was appropriate given the content of one of the most overtly political Turner shortlist exhibitions in recent memory which covered issues ranging from police brutality (Forensic Architecture and Luke Willis-Thompson) to queer identity (Charlotte Prodger) and post colonial power struggles (Naeem Mohaiemen) – to name but a few.

The dinner was also set against a backdrop of a tumultuous day in British Parliament, with Theresa May suffering three Brexit defeats in the Commons and the government being found in contempt of Parliament for refusing to publish the full details of its legal advice on the deal with the European Union. Then there was the additional news of the arrest in Cuba of Tania Bruguera, who has created Tate Modern’s current Turbine Hall commission, after the artist attempted to stage a protest against a controversial new law - Decree 349 - which allows the Cuban government to shut down concerts, galleries and art and book sales if they feature prohibited subjects. Although released shortly after her arrest on 3 December, Bruguera has vowed to keep up her protest at the Cuban Ministry of Culture and, if re-arrested, to go on hunger strike.

In her speech at the event director of the Tate Maria Balshaw referred to Bruguera and her fellow artists as “detained by Cuban authorities while defending the right to creative freedom” and amidst cheers and whoops from the crowd added, “Our thoughts are with Tania and her fellow artists in Cuba.” Balshaw turned her speech to more local matters, bemoaning the pressures on students and schools in the UK that have led to a “steady decline in the number of students who are enrolling for arts subjects.” There was more applause as she told the audience “It is not good enough– not good enough for young people, and not good enough for the future that we should wish for this country and the world.”

In keeping with evening’s sense of political engagement, the prize was presented by Nigerian author Chimamanda Ngozi Adichie, who just the day before had been in conversation with Michelle Obama at London’s Royal Festival Hall. Ngozi Adiche declared that “the power of art to convey ideas is unique... we must ensure that those ideas are diverse, freely expressed and accessible to all" before she awarded the prize to Charlotte Prodger.

In her acceptance speech, Prodger also spoke in support of arts education and funding. "I wouldn't be in this room were it not for the public funding that I received from Scotland for free higher education, and then later in the form of artist bursaries and grants to support not only the production of work but also living costs," she said.

However there was also room for some welcome levity when Prodger admitted that, along with using the £25,000 prize money to “pay my rent and my studio rent and some bills” there would also be room for something a little more indulgent: “there’ll be a little treat … probably a nice jacket. Don’t hold me to that!”

More BlogTopicsDiaryTurner PrizeForensic ArchitectureNaeem MohaiemenCharlotte ProdgerLuke Willis Thompson