Digital Editions
Newsletters
Subscribe
Digital Editions
Newsletters
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
Art market
Museums & heritage
Exhibitions
Books
Podcasts
Columns
Technology
Adventures with Van Gogh
300
comment

Then & Now: how The Art Newspaper shaped UK restitution law

Featuring a 900-year-old missal looted during the Second World War

Hannah McGivern
27 March 2018
Share
Lauro Maio of Benevento Cathedral with the missal in 2010 Martin Bailey

Lauro Maio of Benevento Cathedral with the missal in 2010 Martin Bailey

In November 2010, a 900-year-old missal that had been looted during the Second World War and ended up in the British Library was finally returned to its rightful owner, the cathedral of Benevento in southern Italy. The restitution, the first example of Nazi-era loot being returned by a UK national museum, was the final chapter in a story initiated by The Art Newspaper’s investigative reporter Martin Bailey more than a decade earlier.

In 2000, the rare Beneventan manuscript, which dates back to around 1100, appeared on a list of works in UK museums that had uncertain provenance for the 1933-45 period. It had been acquired by a British soldier in Naples in 1944 and sold in 1947 at Sotheby’s in London to what was then the British Museum Library. The Art Newspaper discovered that the cathedral had filed a legal claim for the missal in 1978, but its application was rejected because of the UK’s statute of limitations and bar on deaccessioning from museums.

Prompted by our reports, the archbishop of Benevento submitted another claim to the UK’s newly established Spoliation Advisory Panel, which considered evidence uncovered by The Art Newspaper and the London-based lawyer Jeremy Scott that the missal was looted after the Allied bombing of the cathedral in 1943. The panel recommended in 2005 that legislation should be introduced to allow the British Library to restitute the manuscript to Benevento. In 2009, the Holocaust (Return of Cultural Objects) Act was passed to enable UK national collections to return items lost during the Nazi era. Only then could the cathedral reclaim its treasure.

Bailey says that his “most moving experience with The Art Newspaper” was witnessing the 84-year-old former chapter librarian greet the return of the missal in 2010. “Lauro Maio had known the library since the 1930s and had witnessed the bombing of the cathedral. He closed his eyes and kissed the manuscript for a full minute, deep in thought. He then opened the bound codex, found some musical notations, and began to chant.”

• For more, download the first episode of The Art Newspaper Weekly podcast from our website or iTunes

300Social historyBritish MuseumUnited Kingdom
Share
Subscribe to The Art Newspaper’s digital newsletter for your daily digest of essential news, views and analysis from the international art world delivered directly to your inbox.
Newsletter sign-up
Information
About
Contact
Cookie policy
Data protection
Privacy policy
Frequently Asked Questions
Subscription T&Cs
Terms and conditions
Advertise
Sister Papers
Sponsorship policy
Follow us
Instagram
Bluesky
LinkedIn
Facebook
TikTok
YouTube
© The Art Newspaper

Related content

Comment
7 February 2022

What are the next challenges for cultural restitution?

The full story of colonial plundering lies not in museum displays but in unopened, uncatalogued boxes in store rooms

Dan Hicks
Conservation & Preservationarchive
30 April 2001

The Hereford Screen, the V&A’s greatest hidden treasure, to be revealed this month

Gilbert Scott’s massive Gothic Revival screen has been restored for £750,000 and goes on public view for the first time in over three decades

Cristina Ruiz
300news
27 March 2018

The Art Newspaper's 300th issue—from big scoops to influential campaigns

Plus: the best letters and the art market then and now

The Art Newspaper