Shows at the Smithsonian American Art Museum and the Denver Art Museum explore personal and professional struggle of those who were incarcerated during the Second World War

Since its founding in 2003, the Kirkland Museum of Fine and Decorative Art has assembled a collection of around 35,000 objects

The antiquities, collectively valued at $3m, include a bronze “Shiva Triad” from Cambodia that the dealer Nancy Wiener donated to the Denver Art Museum after failing to find a buyer for it

The repatriations to Vietnam, Thailand, and Cambodia come as the museum continues to distance itself from Latchford and his late collaborator Emma C. Bunker

Two thirds of eligible workers voted in favour of forming a union, animated by issues including adequate staffing, career advancement and wages

Staff at the museum are the latest to join the unionisation movement that has swept across the sector in the US

Six of the eight allegedly looted objects were donated to the museum by Emma C. Bunker, an associate of smuggler Douglas Latchford

Benefactor Emma Bunker worked closely with antiquities smuggler Douglas Latchford

The museum has issued a statement further distancing itself from the late Emma Bunker, who allegedly falsified provenance for items looted from Cambodia

Researcher Emma Bunker aided the notorious looter in sourcing and selling Southeast Asian antiquities

Expert says there is a "long list of returns expected from museums", as Cambodia cites new evidence of war-time looting

Campus expansion opens up “standoffish” building and inspires a total rehang of the encyclopaedic art collections

How do you crowd-source art without the crowd? The Indigenous artists explore communal art-making traditions amid the isolation of last year

From Titian's masterpieces and a major Raphael survey, to the final stop of the Soul of a Nation tour

Special exhibitions mean big money—not only for the museums that hold them but for local businesses as well

The New York-based painter, whose work is now owned by private collectors like Alicia Keys and Swizz Beats as well as institutions, never envisioned herself becoming an artist

Billionaire collector was given a half share in a Charles Deas painting in exchange for funding a Thomas Eakins acquisition